Jan’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Outside of Haarlem
Jan Pieter Waterloo Dutch, 1790-1861

Portrait of a Sixty-year-old Woman, from Recueil d'estampes d'après les plus célèbres tableaux de la Galerie Royale de Dresde
Pieter Tanjé (Dutch, 1706-1761) after Peter Paul Rubens (Flemish, 1577-1640)

Lame Beggar Asking for Alms, from T is al verwart-gaern (It's already confusing)
Pieter Jansz Quast Dutch, 1606-1647

Jan Lievens
Lucas Emil Vorsterman (Flemish, 1595-1675) after Anthony van Dyck (Flemish, 1599-1641)

Still Life
Pieter Claesz (Dutch, 1596/97–1660)

A Family Meal
Evert Pieters (Dutch, 1856–1932)

Andromeda
Jan Saenredam (Dutch, 1565-1607) after Hendrick Goltzius (Dutch, 1558-1617) published by Frederick de Wit (Dutch, c. 1629-1706)

An Elegant Company
Pieter Codde (Dutch, 1599-1678)

Jan de Wael
Anthony van Dyck Flemish, 1599-1641

The Family Concert
Jan Steen (Dutch, 1626–1679)

Waterloo Bridge, Gray Weather
Claude Monet (French, 1840–1926)

Waterloo Bridge, Sunlight Effect
Claude Monet (French, 1840–1926)

Interior, Dutch Girl Peeling an Apple
Evert Pieters Dutch, 1856-1932

Portrait of a Young Girl
Attributed to Pieter Dubordieu (Dutch, c. 1609–after 1678)

Dead Birds and Shot Bags
Attributed to Pieter Boel (Flemish, 1622-1674)

Elias in the Wilderness, from Six Landscape Subjects from the Old Testament
Anthonie Waterloo Dutch, c. 1610-1690

Virgin and Child
Jan Gossart (Netherlandish, c. 1478–1532)

Italian Landscape with Travelers
Jan Both (Dutch, c. 1618–1652)

Christ Washing the Disciples' Feet
Attributed to Jan Lievens (Dutch, 1607–1674)

At the Justice of the Peace
Pieter Verhaert (Belgian, 1852–1908)