Jan’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Outside of Haarlem
Jan Pieter Waterloo Dutch, 1790-1861
Portrait of a Sixty-year-old Woman, from Recueil d'estampes d'après les plus célèbres tableaux de la Galerie Royale de Dresde
Pieter Tanjé (Dutch, 1706-1761) after Peter Paul Rubens (Flemish, 1577-1640)
Lame Beggar Asking for Alms, from T is al verwart-gaern (It's already confusing)
Pieter Jansz Quast Dutch, 1606-1647
Jan Lievens
Lucas Emil Vorsterman (Flemish, 1595-1675) after Anthony van Dyck (Flemish, 1599-1641)
Still Life
Pieter Claesz (Dutch, 1596/97–1660)
A Family Meal
Evert Pieters (Dutch, 1856–1932)
An Elegant Company
Pieter Codde (Dutch, 1599-1678)
Andromeda
Jan Saenredam (Dutch, 1565-1607) after Hendrick Goltzius (Dutch, 1558-1617) published by Frederick de Wit (Dutch, c. 1629-1706)
Jan de Wael
Anthony van Dyck Flemish, 1599-1641
Waterloo Bridge, Gray Weather
Claude Monet (French, 1840–1926)
Waterloo Bridge, Sunlight Effect
The Family Concert
Jan Steen (Dutch, 1626–1679)
Interior, Dutch Girl Peeling an Apple
Evert Pieters Dutch, 1856-1932
Portrait of a Young Girl
Attributed to Pieter Dubordieu (Dutch, c. 1609–after 1678)
Elias in the Wilderness, from Six Landscape Subjects from the Old Testament
Anthonie Waterloo Dutch, c. 1610-1690
Dead Birds and Shot Bags
Attributed to Pieter Boel (Flemish, 1622-1674)
Virgin and Child
Jan Gossart (Netherlandish, c. 1478–1532)
Italian Landscape with Travelers
Jan Both (Dutch, c. 1618–1652)
At the Justice of the Peace
Pieter Verhaert (Belgian, 1852–1908)
Christ Washing the Disciples' Feet
Attributed to Jan Lievens (Dutch, 1607–1674)