Cristofano’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Sketches of Trees
Attributed to Cristofano Allori Italian, 1577-1621
Allegory of Envy
Cristofano Robetta Italian, 1462-c. 1535
Allegory of Carnal Love
Cristofano Robetta Italian, 1462-c.1535
Francesco de' Medici
Attributed to Alessandro Allori (Italian, 1535–1607)
An Allegory of Abundance
Adam and Eve with Infants Cain and Abel
Adam and Eve with the Infants Cain and Abel
The Adoration of the Magi
Vision of Saint Francis of Assisi at the Portiuncula (recto); Ornamental Design (verso)
Circle of Alessandro Allori Italian, 1535-1607
Study for Saint Philip Neri Rescuing a Drowning Youth
Cristofano Roncalli, called Il Pomarancio Italian, 1552-1626
Head of a Youth
Putto with Raised Arms
Virgin Mary Standing in Profile
After Francesco di Cristofano, called Franciabigio Italian, 1484-1525
The Virgin and Child with Saint John and Three Angels
Self-Portrait
Walter Shirlaw (American, 1838–1909)
Martin Vanden Bogaert Desjardins
Gérard Edelinck (French, born Flanders, 1640-1707) after Hyacinthe Rigaud (French, 1659-1743)
Remembrance of Italy
Jean-Baptiste-Camille Corot (French, 1796-1875) printed by Auguste Delâtre (French, 1822-1907) published by Cadart et Chavalier, Editeurs (French, 1801-1900)
Priest and Boy
Lawrence Carmichael Earle American, 1845-1921
A Sunday on La Grande Jatte — 1884
Georges Seurat (French, 1859–1891)
Fishing Craft near the Cliffs at Collioure
Adolphe Appian French, 1818-1898