Lombard’s work is defined by its medieval sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Capital with Man Fighting a Lion (recto); Man Riding a Griffin (verso)
Italian; possibly Lombardy or Tuscany
Capital with Anointing of David
Entombment of Christ
Unknown Artist Italian, Lombard, late 16th centlury
Sketches of a Standing Saint Holding a Sword (recto); Sketches of Figures and Heads (verso)
Unknown Artist Italian, late 16th century
Portrait of a Gentleman
Venetian or Lombard
School Street and Lombard Street, Lombard, Illinois
Douglas R. Gilbert American, 1942-2023
Frieze of Satyrs Wearing Lion Skins and Playing Pipes
Possibly Lambert Lombard (Flemish, 1506-1566) or possibly after Pietro Santo Bartoli (Italian, 1635-1700)
Fragment of Animal Frieze
Lombard
Sketches of Three Male Heads in Profile
Italian, Roman or Lombard Late 16th century
Scene from Roman History
Possibly Lambert Lombard Flemish, 1506-1566
Sketches of a Child: Half-Length, Torso, Foot, Hand
Unknown Artist Italian, 1700-1799
Nativity Scene
Unknown Artist Italian, 1600-1699
Saints Peter and Paul
Artist unknown Lombard, late 16th century
Lombard Vision on the Giulian Alps
Mario Micossi Italian, born 1922
Moses Striking the Rock
Jan Collaert, I, (Flemish, c. 1530-1581) after Lambert Lombard (Flemish, 1506-1566)
“I say to myself: would anybody imagine that we are coming from the Rue des Lombards?... We really don't look like confectioners at all,” plate 2 from Coquetry
Honoré Victorin Daumier French, 1808-1879
Shawl
England or France
Tazza
Italy, Castelli
Two Sketches of Heads (recto); Two Sketches of Draped Woman (verso)
Unknown Florentine or Lombard Italian, 1590-1600
Christ Washes the Feet of the Apostles
Hans Collaert I (Flemish, c. 1530–1581) after Lambert Lombard (Flemish, 1505–1566)