Frans’s work is defined by its 17th century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Marie de’ Medici
Frans Pourbus the Younger (Flemish, 1569-1622)
The Guardhouse
David Teniers the Younger (Flemish, 1610-1690)
Abraham's Sacrifice of Isaac
David Teniers the Younger (Flemish, 1610–1690) After Paolo Veronese (Italian, 1528–1588)
Portrait of a Nobleman in Armor
Pieter Claesz. Soutman (Dutch, c. 1580-1657) or possibly after Jan van de Velde, II (Dutch, c. 1593-1641) or possibly Frans Pourbus, the younger (Flemish, 1569-1622) or the school of Marcus Geeraerts, the younger (Flemish, 1561-1635)
Saint Christopher
Israhel van Meckenem the Younger German, c. 1440/45-1503
Armor for Field and Tournament
Jörg T. Sorg, the Younger, after German, Augsburg, active 1502-1542
The Music Lesson
Gerard ter Borch the Younger (Dutch, 1617-1681)
The Betrayal, from The Passion
Still Life with Dead Game, Fruits, and Vegetables in a Market
Frans Snyders (Flemish, 1579-1657)
The Abduction of Europa
David Teniers the Younger (Flemish, 1610–1690) After artist unknown (Venetian, active 16th century)
David Teniers the Younger (Flemish, 1610–1690) After Titian (Italian, c. 1488–1576)
Aeneas Rescuing Anchises from Burning Troy
Hendrick van Steenwijck the Younger (Flemish, c. 1580-1640)
Portrait of a Woman with a Prayer Book
Bartholomäus Bruyn the Younger (German, c. 1493-after 1553)
Portrait of an Artist
Follower of Frans Hals (Dutch, 1582–1666)
The Crucifixion, from The Passion
The Lamentation, from The Passion
The Cardinal
Hans Holbein, the younger German, 1497-1543
Ornament With Flower and Eight Wild Folk
The Flagellation, from The Passion
Israhel van Meckenem, the younger German, c. 1440/45-1503
St. Anthony