Jacob’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Two Shepherds with Cattle
Jacob Cornelis Ploos van Amstel (Dutch, 1726-1798) after Adriaen van de Velde (Dutch, 1636-1672)

Landscape with Cattle
Jacob Cornelis Ploos van Amstel (Dutch, 1726-1798) after Jan Van Der Meer (Dutch, 1656-1705)

Ein Jungling (Titus)
Jacob Cornelis Ploos van Amstel (Dutch, 1726-1798) after Rembrandt van Rijn (Dutch, 1606-1669)

Seascape
Jacob Cornelis Ploos van Amstel (Dutch, 1726-1798) or after Ludolf van Bakhuyzen (Dutch, 18th century)

Landscape with the Ruins of the Castle of Egmond
Jacob van Ruisdael (Dutch, 1628/29-1682)

The Adoration of the Christ Child
Jacob Cornelisz. van Oostsanen (Netherlandish, c. 1470/75–by 1533) Workshop of Jacob Cornelisz. van Oostsanen (Netherlandish, c. 1470/75–by 1533)

Four Servants, part of Telemachus Leading Theoclymenus to Penelope from The Story of Odysseus
After a design by Jacob Jordaens (1593–1678) Woven at the workshop of Jan van Leefdael (1603–1668) Brussels

Head of an Old Woman (so-called portrait of Visscher's mother)
Cornelis Visscher Dutch, c. 1629-1658

A Young Man Caressing the Young Hostess
Cornelis Pietersz Bega Dutch, 1631/32-1664

The Wedding
Jacob Lawrence American, 1917–2000

Cottage at the Top of a Hill
Jacob van Ruisdael Dutch, 1628/29-1682

Portions of a Field Armor
Jacob Halder (English, 1558–1608) Royal Workshops of Greenwich, England

Self-Portrait
Cornelis Visscher Dutch, c. 1629-1658

Peter Isbrandi
Cornelis Visscher Dutch, c. 1629-1658

A Witches' Sabbath
Cornelis Saftleven (Dutch, 1607–1681)

The Music Lesson
Jacob Ochtervelt (Dutch, 1634-1682)

Coat of Arms of Haarlem, end page to Counts and Countesses of Holland, Zeeland and West-Frisia
Cornelis Visscher Dutch, c. 1629-1658

View of Tivoli with the Bridge Over the Anio Waterfall
Cornelis van Poelenburgh Dutch, 1594/95-1667

Confrontation at the Bridge
Jacob Lawrence American, 1917-2000