Alessandro’s work is defined by its 17th century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Venus and Cupid
Alessandro Turchi (Italian, 1578–1649)
Vision of Saint Catherine of Siena
Alessandro Turchi Italian, 1578–1649
Fragment of an Assumption (?) Scene: Apostles, with Saint Francis of Assisi in the Foreground
Alessandro Turchi, called L'Orbetto Italian, 1578-1649
Saint Florian
Attributed to Alessandro Turchi, called L'Orbetto Italian, 1578-1649
The Annunciation
Alessandro Vittoria (Italian, 1525–1608)
Francesco de' Medici
Attributed to Alessandro Allori (Italian, 1535–1607)
Theodosius Repulsed from the Church by Saint Ambrose
Alessandro Magnasco (Italian, 1667–1749)
Crucifix
Alessandro Algardi (Italian, 1598–1654)
Portrait of a Musician
Alessandro Longhi (Italian, 1733–1813)
Alessandro de' Medici
Jacopo da Pontormo (Jacopo Carrucci; Italian, 1494-1557)
Arcadian Landscape with Figures
Madonna and Child
Afted Alessandro Algardi (Italian, 1598–1654)
Picaresque Group with a Monkey and a Magpie
Alessandro Magnasco Italian, 1667-1749
One of the Set of the Four Evangelists: John
One of the Set of the Four Evangelists: Matthew
The Synagogue
Alessandro Magnasco (Italian, 1667-1749)
An Allegory of Bologna
Alessandro Algardi Italian, 1598-1654
One of the Set of the Four Evangelists: Luke
One of the Set of the Four Evangelists: Mark
Ballad Singer at a Shrine of the Virgin