Alessandro’s work is defined by its 17th century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Venus and Cupid
Alessandro Turchi (Italian, 1578–1649)

Vision of Saint Catherine of Siena
Alessandro Turchi Italian, 1578–1649

Fragment of an Assumption (?) Scene: Apostles, with Saint Francis of Assisi in the Foreground
Alessandro Turchi, called L'Orbetto Italian, 1578-1649

Saint Florian
Attributed to Alessandro Turchi, called L'Orbetto Italian, 1578-1649

The Annunciation
Alessandro Vittoria (Italian, 1525–1608)

Francesco de' Medici
Attributed to Alessandro Allori (Italian, 1535–1607)

Theodosius Repulsed from the Church by Saint Ambrose
Alessandro Magnasco (Italian, 1667–1749)

Crucifix
Alessandro Algardi (Italian, 1598–1654)

Portrait of a Musician
Alessandro Longhi (Italian, 1733–1813)

Arcadian Landscape with Figures
Alessandro Magnasco (Italian, 1667–1749)

Madonna and Child
Afted Alessandro Algardi (Italian, 1598–1654)

Alessandro de' Medici
Jacopo da Pontormo (Jacopo Carrucci; Italian, 1494-1557)

Picaresque Group with a Monkey and a Magpie
Alessandro Magnasco Italian, 1667-1749

One of the Set of the Four Evangelists: John
Alessandro Vittoria (Italian, 1525–1608)

One of the Set of the Four Evangelists: Matthew
Alessandro Vittoria (Italian, 1525–1608)

The Synagogue
Alessandro Magnasco (Italian, 1667-1749)

An Allegory of Bologna
Alessandro Algardi Italian, 1598-1654

One of the Set of the Four Evangelists: Luke
Alessandro Vittoria (Italian, 1525–1608)

One of the Set of the Four Evangelists: Mark
Alessandro Vittoria (Italian, 1525–1608)

Ballad Singer at a Shrine of the Virgin
Alessandro Magnasco Italian, 1667-1749