Guglielmo’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Fall of the Giants
After Guglielmo della Porta Italian, 1500/10-1577
The Nativity
Fra Bartolommeo (Baccio della Porta; Italian, 1472-1517)
Villa Pamphili outside Porta S. Pancrazio, from Views of Rome
Giovanni Battista Piranesi (Italian, 1720-1778) published by Francesco (Italian, 1758-1810) and Pietro Piranesi (Italian, born 1758/9)
Saint Anthony of Padua Adoring the Christ Child
Guglielmo Caccia, called Il Moncalvo Italian, 1568-1625
Assumption of the Virgin
Madonna of the Rosary, with Dominic and Other Saints
Madonna and Child with Adoring Saints
Guglielmo Caccia, called Il Moncalvo (Italian, 1568-1625) or possibly Giuseppe Antonio Caccioli (Italian, 1672-1740) or possibly Francesco Vanni (Italian, 1563-1610)
Shipyard with Two Sailors
Stefano della Bella Italian, 1610-1664
Stag Hunt in Fan Shape
The Adoration of the Magi
Pietro della Vecchia (Italian, 1605-1678)
Monastery on the Slope of a Rocky Hill
Baccio della Porta, called Fra Bartolommeo Italian, 1472-1517
Adoration of the Christ Child
Workshop of Andrea della Robbia (Italian, 1435–1525)
Infantry Garniture of a Target (Shield) and Pointed Morion
North Italian; Milan
The Medici Vase, plate one from The Six Large Views of Rome and the Campagna
Watermill with Figures on an Arched Bridge
Seated Prophet or Evangelist Writing
Giuseppe Porta, called Giuseppe Salviati Italian, c. 1520-1575
Equestrian Ballet in the Amphitheater of the Boboli Gardens
South Facade of the Villa and the Great Meadow, from Views of the Villa Pratolino
Study for the Presentation of the Christ Child in the Temple
After Giuseppe Porta, called Giuseppe Salviati Italian, 1520/25-c. 1575