Luigi’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Adoration of the Host
Attributed to Luigi Garzi (Italian, 1638-1721) or Fidele Fischetti (Italian, 1734-1789) or an uknown Venetian artist
St. Philippe de Nery (The Virgin Appearing to Saint Filippo Neri), from Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France (Cabinet Crozat)
Anne Claude de Caylus (French, 1692-1765) and Nicolas Le Sueur (French, 1691-1764) after Luigi Garzi (Italian, 1638-1721)
The Arch of Septimus Severus
Luigi Rossini Italian, 1790-1857
Bishop Blessing a Kneeling Man OR Meeting of Emperor Theodosius and Bishop Ambrose
Attributed to Luigi Benfatto Italian, c. 1544-c. 1609
Armchair
Luigi Frullini Italian, 1839–1897 Florence, Italy
The Boathouse
Luigi Loir (French, 1845-1916)
Crucifixion of Saint Peter
Luigi Valadier (Italian, 1726–1785) Workshop of Luigi Valadier (Italian, 1726–1785)
Portrait of Luigi Edouardo Rossi, Count Pellegrino
Follower of Jean Auguste Dominique Ingres (French, 1780–1867)
Panel: Christ Surrounded by Angels
Milan, Italy
Views in Egypt (text)
Luigi Mayer (Italian, active 1776-1792) engraved by Thomas Milton (English, 1743-1827) printed by Thomas Bensley (English, 1760-1835) published by Robert Bowyer (English, 1758-1834)
Panel
Woven by Luigi Bevilacqua (Founded 1700) Italy, Venice
Versailles, from the series Vedute
Luigi Ghirri Italian, 1943-1992
Signature Quilt
Bartlett, Illinois, United States
Virgin Washing the Child
Luigi Scaramuccia (Italian, 1616-1680) after Annibale Carracci (Italian, 1560-1609)
Views in Egypt (plates)