Cornelis’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
The River Nile
Cornelis Bos Flemish, c. 1510–before 1566
The Prodigal Son Squandering his Inheritance on Harlots
Cornelis Bos (Flemish, c. 1510-before 1566) after Maerten van Heemskerck (Dutch, 1498–1574)
Prudence and Justice
After Marten van Heemskerck (Netherlandish, 1498-1574) or Abraham Janssens (Flemish, c. 1574-1632) or Theodor van Thulden (Dutch, 1606-1669) or after Cornelis Bos (Netherlandish, 1506/10-c. 1564)
Head of an Old Woman (so-called portrait of Visscher's mother)
Cornelis Visscher Dutch, c. 1629-1658
A Young Man Caressing the Young Hostess
Cornelis Pietersz Bega Dutch, 1631/32-1664
Self-Portrait
Peter Isbrandi
A Witches' Sabbath
Cornelis Saftleven (Dutch, 1607–1681)
Coat of Arms of Haarlem, end page to Counts and Countesses of Holland, Zeeland and West-Frisia
Woman Milking a Cow, plate 3 from Four Landscapes
Cornelis Visscher (Dutch, c. 1629-1658) after Nicolaes Berchem (Dutch, 1620-1683)
Ecriture 46-73
Park Seo-Bo Korean, 1931-2023
The Hurdy-Gurdy Player
Cornelis Visscher (Dutch, c. 1629-1658) after Adriaen van Ostade (Dutch, 1610-1685)
Interior in an Inn, called "The Skaters" (De Schaatsenrijder)
The Battle of Zama
After Cornelis Cort (Netherlandish, 1533–1578)
The Large Cat
The Mousetrap
Susanna and the Elders, from Cabinet Reynst
Cornelis Visscher (Dutch, c. 1629-1658) after Guido Reni (Italian, 1572-1642)
The Chat (Het Zoute Scholletje)
Philip III, King of Spain, from Principes Hollandiae, Zelandiae, et Frisiae
Cornelis Visscher (Dutch, c. 1629-1658) after Peter Paul Rubens (Flemish, 1577-1640)
The Calumny of Apelles
Cornelis Cort (Netherlandish, 1533/36-1578) after Federico Zuccaro (Italian, c. 1542-1609)