Cornelis’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Flight into Egypt
Attributed to Cornelis Bisschop (Dutch, 1630-1674) or Pellegrino Tibaldi (Italian, 1527-1596)
Head of an Old Woman (so-called portrait of Visscher's mother)
Cornelis Visscher Dutch, c. 1629-1658
A Young Man Caressing the Young Hostess
Cornelis Pietersz Bega Dutch, 1631/32-1664
Self-Portrait
Peter Isbrandi
A Witches' Sabbath
Cornelis Saftleven (Dutch, 1607–1681)
Coat of Arms of Haarlem, end page to Counts and Countesses of Holland, Zeeland and West-Frisia
Woman Milking a Cow, plate 3 from Four Landscapes
Cornelis Visscher (Dutch, c. 1629-1658) after Nicolaes Berchem (Dutch, 1620-1683)
The Hurdy-Gurdy Player
Cornelis Visscher (Dutch, c. 1629-1658) after Adriaen van Ostade (Dutch, 1610-1685)
Interior in an Inn, called "The Skaters" (De Schaatsenrijder)
The Battle of Zama
After Cornelis Cort (Netherlandish, 1533–1578)
The Large Cat
Windmill Near the Hague
Jan de Bisschop Dutch, c. 1628-1671
The Coronation of the Virgin and The Flight into Egypt
Jan de Bisschop Dutch, 1628-1671
Study after The Dying Gaul Killing His Wife and Himself
Probably Jan de Bisschop (Dutch, c. 1628-1671) or possibly Henry Bone, R.A. (English, 1755-1834)
The Mousetrap
Susanna and the Elders, from Cabinet Reynst
Cornelis Visscher (Dutch, c. 1629-1658) after Guido Reni (Italian, 1572-1642)
The Chat (Het Zoute Scholletje)
Philip III, King of Spain, from Principes Hollandiae, Zelandiae, et Frisiae
Cornelis Visscher (Dutch, c. 1629-1658) after Peter Paul Rubens (Flemish, 1577-1640)
The Calumny of Apelles
Cornelis Cort (Netherlandish, 1533/36-1578) after Federico Zuccaro (Italian, c. 1542-1609)