Cornelis’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Head of an Old Woman (so-called portrait of Visscher's mother)
Cornelis Visscher Dutch, c. 1629-1658
Self-Portrait
Peter Isbrandi
Coat of Arms of Haarlem, end page to Counts and Countesses of Holland, Zeeland and West-Frisia
Woman Milking a Cow, plate 3 from Four Landscapes
Cornelis Visscher (Dutch, c. 1629-1658) after Nicolaes Berchem (Dutch, 1620-1683)
The Hurdy-Gurdy Player
Cornelis Visscher (Dutch, c. 1629-1658) after Adriaen van Ostade (Dutch, 1610-1685)
Interior in an Inn, called "The Skaters" (De Schaatsenrijder)
The Large Cat
The Mousetrap
Susanna and the Elders, from Cabinet Reynst
Cornelis Visscher (Dutch, c. 1629-1658) after Guido Reni (Italian, 1572-1642)
The Chat (Het Zoute Scholletje)
Philip III, King of Spain, from Principes Hollandiae, Zelandiae, et Frisiae
Cornelis Visscher (Dutch, c. 1629-1658) after Peter Paul Rubens (Flemish, 1577-1640)
Lieven van Coppenol
Hearing (De Fiool Speelder)
Cornelis Visscher (Dutch, c. 1629-1658) after Adriaen Brouwer (Flemish, 1605/06-1638)
The Robbery of Horses, A Moonlight Scene
Cornelis Visscher (Dutch, c. 1629-1658) after Pieter van Laer (Netherlandish, 1592/95-1642)
Adriaen Pauw, Lord of Heemstede
Cornelis Visscher (Dutch, c. 1629-1658) after Gerrit van Honthorst (Dutch, 1592-1656)
A Mother an Swathed Child Riding a Donkey, plate 4 from Four Landscapes
The Large Lime-Kiln, from Cabinet Reynst
Cornelis Visscher (Dutch, c. 1629-1658) after Pieter van Laer (Netherlandish, 1592-1642)
Johann Wolfert van Brederode, from Effigies Variae
The Pancake Woman