Jan’s work is defined by its 17th century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Italian Landscape with Travelers
Jan Both (Dutch, c. 1618–1652)

Landscape with Ruins and Two Cows at the Waterside, from a series of four horizontal Roman Landscapes
Jan Both Dutch, c. 1618-1652

Italian Landscape with a Bridge
Jan Both Dutch, c. 1618-1652

The Large Tree, from Upright Italian Landscapes
Jan Both Dutch, c. 1618-1652

Upright Italian Landscapes: Woman on a Mule
Jan Both Dutch, c. 1618-1652

The Ox-Cart, from Upright Italian Landscapes
Jan Both Dutch, c. 1618-1652

The Two Mules, from a set of four Italian Landscapes
Jan Both Dutch, c. 1618-1652

Landscape with Ruin by Water
Possibly a follower of Jan Both Dutch, c. 1618-1652

Forest Clearing
Style of Jan Both Dutch, c. 1618-1652

Ruin
Follower of Jan Both Dutch, c. 1618-1652

Italianate Landscape with Ruins, Woman and Donkey
Jan Both Dutch, c. 1618-1652

Travelers with Two Mules
Jan Miel (Flemish, 1599-1663) or Jan Both (Dutch, c. 1618-1652)

Landscape of Road through Trees and Hills; Figure on Donkey in Distance
Style of Jan Hackaert (Dutch, 1629-c. 1700) or style of Jan Both (Dutch, c. 1618-1652)

Rocks and Mountain Path, Figures and Town Below
Bartholomeus Breenbergh (Dutch, 1598-1657) or Jan de Bisschop (Dutch, c. 1628-1671) or Jan Both (Dutch, c. 1618-1652) or Frederick de Moucheron (Dutch, 1633-1686) or style of Herman van Swanevelt (Dutch, c. 1600-1655)

Jan Lievens
Lucas Emil Vorsterman (Flemish, 1595-1675) after Anthony van Dyck (Flemish, 1599-1641)

Andromeda
Jan Saenredam (Dutch, 1565-1607) after Hendrick Goltzius (Dutch, 1558-1617) published by Frederick de Wit (Dutch, c. 1629-1706)

Jan de Wael
Anthony van Dyck Flemish, 1599-1641

The Family Concert
Jan Steen (Dutch, 1626–1679)

Virgin and Child
Jan Gossart (Netherlandish, c. 1478–1532)

Christ Washing the Disciples' Feet
Attributed to Jan Lievens (Dutch, 1607–1674)