Philippe’s work is defined by its 18th century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
The Destruction of Pharaoh's Army
Philippe-Jacques de Loutherbourg (French, 1740–1812)
Tranquil Peasant
Philippe Jacques de Loutherbourg French, 1740–1812
Domestic Maronite
Hauling Logs in a Forest (recto); Sketches of People in Various Activities (verso)
Philippe Jacques de Loutherbourg French, 1740-1812
Trees
Philip Jacques de Loutherbourg French, 1740-1812
Two Studies of a Roma Woman and a Roma Boy in a Large Hat
Jacques de Gheyn II Dutch, 1565-1629
The Anatomical Lesson of Professor Pauw
Andries Stock (Dutch, c. 1580-after 1648) after Jacques de Gheyn II (Dutch, 1565-1629)
Corpus of Christ, from the Altarpiece of the Crucifixion
Jacques de Baerze (Netherlandish, active before 1384–1399) Melchior Broederlam (Netherlandish, about 1355–about 1411)
Carolus Clusius
Old Man with a Boy Reading
Jean Jacques de Boissieu French, 1736-1810
A Huntsman with a Dead Hare and a Dog (Study for "Terra")
The Miracle of the Five Loaves
Jacques de Gheyn II (Dutch, 1565-1629) after Abraham Bloemaert (Dutch, 1566-1651)
Panel
After a design by Philippe de LaSalle (French, 1723–1803/5) Woven and produced by Camille Pernon & Cie France, Lyon
Mountain Road with Travelers
Joos de Momper, II (Flemish, 1564-1635)
Fortune-Teller
Saint Matthew, plate one from The Four Evangelists
Jacob de Gheyn II (Dutch, 1565-1629) after Hendrick Goltzius (Dutch, 1558-1617)
The Stoning of Saint Stephen in a Historiated Initial "A" or "C" from a Gradual
French (Paris) circle of the Master of Jacques de Besançon or the Master of Morgan 85
Globes
Jacques Gaston Duchamp Villon French, 1875-1963
La Balanceuse, plate 98 from "L'Oeuvre d'Antoine Watteau"
Jacques Philippe Le Bas (French, 1707-1783) after Jean Antoine Watteau (French, 1684-1721)