Philippe’s work is defined by its 18th century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
The Destruction of Pharaoh's Army
Philippe-Jacques de Loutherbourg (French, 1740–1812)
Tranquil Peasant
Philippe Jacques de Loutherbourg French, 1740–1812
Domestic Maronite
Hauling Logs in a Forest (recto); Sketches of People in Various Activities (verso)
Philippe Jacques de Loutherbourg French, 1740-1812
Trees
Philip Jacques de Loutherbourg French, 1740-1812
Two Studies of a Roma Woman and a Roma Boy in a Large Hat
Jacques de Gheyn II Dutch, 1565-1629
The Anatomical Lesson of Professor Pauw
Andries Stock (Dutch, c. 1580-after 1648) after Jacques de Gheyn II (Dutch, 1565-1629)
Corpus of Christ, from the Altarpiece of the Crucifixion
Jacques de Baerze (Netherlandish, active before 1384–1399) Melchior Broederlam (Netherlandish, about 1355–about 1411)
Carolus Clusius
Old Man with a Boy Reading
Jean Jacques de Boissieu French, 1736-1810
A Huntsman with a Dead Hare and a Dog (Study for "Terra")
The Miracle of the Five Loaves
Jacques de Gheyn II (Dutch, 1565-1629) after Abraham Bloemaert (Dutch, 1566-1651)
Panel
After a design by Philippe de LaSalle (French, 1723–1803/5) Woven and produced by Camille Pernon & Cie France, Lyon
Fortune-Teller
Mountain Road with Travelers
Joos de Momper, II (Flemish, 1564-1635)
Globes
Jacques Gaston Duchamp Villon French, 1875-1963
The Stoning of Saint Stephen in a Historiated Initial "A" or "C" from a Gradual
French (Paris) circle of the Master of Jacques de Besançon or the Master of Morgan 85
Saint Matthew, plate one from The Four Evangelists
Jacob de Gheyn II (Dutch, 1565-1629) after Hendrick Goltzius (Dutch, 1558-1617)
La Balanceuse, plate 98 from "L'Oeuvre d'Antoine Watteau"
Jacques Philippe Le Bas (French, 1707-1783) after Jean Antoine Watteau (French, 1684-1721)