Theodore’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Scene from Faust: Auerbach's Cellar
Unknown artist possibly British, 18th-19th centuries

Death on a White Horse
possibly Henry Fuseli (Swiss, active in England, 1741-1825) imitator of William Blake (English, 1757-1827) possibly Theodore Matthias von Holst (English, 1810-1844) style of Thomas Stothard (English, 1755-1834)

Descent to Hell
Possibly Henry Fuseli (Swiss, active in England, 1741-1825) or possibly Theodore Matthias von Holst (English, 1810-1844)

Landscape
Théodore Rousseau (French, 1812–1867)

Springtime
Théodore Rousseau (French, 1812–1867)

Johann Matthias, Count von Schulenburg.
Giovanni Marco Pitteri (Italian, 1702-1786) after Francesco Carlo Rusca (Italian, 1696-1769)

Salomé
Hans von Aachen German, c. 1552-1615

"Glamis", George MacBeth Country House, Bethlehem, New Hampshire, Perspective
Herman Valentine von Holst American, 1874–1955

The Valley of Arconville
Theodore Robinson (American, 1852–1896)

Rock Oaks
Théodore Rousseau (French, 1812-1867) printed by Auguste Delâtre (French, 1822-1907)

The Amazon
Franz von Stuck (German, 1863–1928)

Lavaliere
Matthias William Hanck (American, 1883–1955)

St. Matthias, from Apostles
Martin Schongauer German, c. 1430/50-1491

Théodore Géricault on His Deathbed
Charles Emile Callande de Champmartin (French, 1797–1883)

Skyscraper Cabinet
Paul Theodore Frankl (American, born Austria, 1886–1958) New York

Salomé Triptych
Richard Roland Holst Dutch, 1868-1938

Prince Otto von Bismarck
Franz Seraph von Lenbach (German, 1836–1904)

View of Saleve, near Geneva
Théodore Rousseau (French, 1812–1867)

Classic Boundaries I
Theodore Stamos American, 1922–1997

Salomé Triptych
Richard Roland Holst Dutch, 1868-1938