Joachim’s work is defined by its 17th century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
The Battle between the Gods and the Giants
Joachim Antonisz. Wtewael (Dutch, c. 1566–1638)
The Madonna with the Christ Child, with the infant John the Baptist and another Child (Caritas)
Attributed to Joachim Anthonisz. Wtewael (Dutch, 1566-1638)
Venus and Adonis
Attributed to Joachim Antonisz. Wtewael Dutch, c. 1566-1638
King Vulture
Meissen Porcelain Manufactory (1710–present) Modeled by Johann Joachim Kändler (born Saxony [now Germany], 1706–1775) Meissen, Electorate of Saxony (now Germany)
Portrait of a Young Woman
Joachim Beuckelaer (Netherlandish, c. 1535-c. 1574)
Hunting Trousse (Waidpraxe) with the Coat of Arms and Initials of Christian II, Elector of Saxony
German (Saxony), Dresden Silversmith: Joachim Puttlost, active 1607-1652
A Lamplight Study: Herr Joachim
George Frederick Watts (English, 1817–1904)
Harold Joachim
June Leaf American, 1929-2024
The Holy Family with Joachim and Saint Anne
Albrecht Dürer German, 1471-1528
Herr Joseph Joachim
Julia Margaret Cameron English, 1815–1879
Mr. Joseph Joachim
Joachim and the Angel, from The Life of the Virgin
Portrait of Magdalena of Saxony, Wife of Elector Joachim II of Brandenburg
Lucas Cranach the Elder (German, 1472–1553)
The Meeting of Joachim and Anna at the Golden Gate
Girolamo Mazzola Bedoli Italian, c. 1510-c. 1569
Portrait of Harold Joachim
Jack Beal (American, 1931-2013) printed by Carl Reisig (American, active 20th century)
The Rejection of Joachim's Offering, from The Life of the Virgin
Venetian Domes
Rudy Pozzatti American, born 1925
Laocoön
Nicolò Boldrini (Italian, c. 1500–1566) after Titian (Italian, c. 1488-1576)
Saint Anne and Saint Joachim Offering the Virgin Mary as a Child to the Eternal Father
Lorenzo Tiepolo (Italian, 1736-1776) after Giambattista Tiepolo (Italian, 1696-1770)