Jacob’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Jupiter and Mnemosyne
Jacob de Wit Flemish, 1695-1754
Study for Apotheosis of Hercules
Jacob de Wit Dutch, 1695-1754
Design for a Ceiling: Apotheosis of Callisto or Diana (recto), and Sketch of Figures (verso)
Five Putti at Play
Allegory of Winter
Minerva with Two Putti
Baby Satyrs and Putti Playing with Donkey
Jacob de Wit (Dutch, 1695-1754) or Caspar Franz Sambach (Austrian, 1715-1795) or Style of Giuseppe Bernardino Bison (Italian, 1762-1844)
Druids Cutting Mistletoe
Attributed to Jacob de Wit Dutch, 1695-1754
Three Children and a Goat
Style of Jacob de Wit Dutch, 1695-1754
Three Cherubs Playing around a Rock
Follower of or after Jacob de Wit Dutch, 1695-1754
Putti with Shield and Sword
Venus Trying to Retain Adonis
Attributed to Jacob de Wit (Dutch, 1695-1754) or an unknown Flemish artist
Apollo and the Muses
Possibly Bartholomaeus Spranger (Flemish, 1546-1611) or Jacob de Wit (Dutch, 1695-1754) or Giacomo del Po (Italian, 1652-1726)
Christ and the Woman of Samaria
Playing Putti
Possibly Jacob de Wit (Dutch, 1695-1754) or an unknown artist (Dutch, 18th century)
Three Putti
Putti with Medallion
Moses Confronting the Israelites
Unknown artist Formerly attributed to Jacob de Wit (Dutch, 1695-1754)
The Wedding
Jacob Lawrence American, 1917–2000
Portions of a Field Armor
Jacob Halder (English, 1558–1608) Royal Workshops of Greenwich, England