Titian’s work is defined by its 17th century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Allegory of Venus and Cupid
Imitator of Titian (Italian, c. 1488–1576)
Tobias and the Angel
After Tiziano Vecellio, called Titian Italian, c. 1488-1576
The Submersion of Pharaoh's Army in the Red Sea
After Titian (Italian, c. 1488-1576) published by Domenico dalle Greche (Italian, active 1543-1558)
Self-Portrait
after Tiziano Vecellio, called Titian Italian, c. 1488-1576
Penitent Magdalene
Portrait of a Lady
Follower of Titian (Italian, c. 1488-1576)
Massacre of the Innocents
Circle of Tiziano Vecellio, called Titian Italian, c. 1488-1576
Titian and His Mistress
Lucas Vorsterman (Dutch, 1595-1675) after Anthony van Dyck (Flemish, 1599-1641)
Portrait of Titian
Agostino Carracci (Italian, 1557-1602) after a self-portrait by Titian (Italian, c. 1488-1576)