Pierre’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Mary Magdalene washing Jesus' Feet
Pierre Subleyras French, 1699-1749

The Brazen Serpent of Moses
Pierre Subleyras, French, 1699-1749

Mater Dolorosa
Pierre Subleyras French, 1699-1749

Madonna and Child with Three Saints
Possibly after Pierre Subleyras (French, 1699-1749) or after Carlo Cignani (Italian, 1628-1719)

Sketches of Four Draped Female Figures (for Pendentives)
Possibly Pierre Subleyras French, 1699-1749

The Fountains
Hubert Robert (French, 1733-1808)

The Old Temple
Hubert Robert (French, 1733-1808)

The Landing Place
Hubert Robert (French, 1733-1808)

The Obelisk
Hubert Robert (French, 1733-1808)

Pierre de Montarsis
Gérard Edelinck (French, born Flanders, 1640-1707) after Antoine Coypel (French, 1661-1722)

Portrait of Jacques Nicolas Colbert, Archbishop of Rouen
Pierre Drevet (French, 1663-1738) after Hyacinthe Rigaud (French, 1659-1743)

Pierre Dupuis, Painter to the King
Antoine Masson (French, 1636-1700) after Nicolas Mignard (French, 1606-1668)

Two Sisters (On the Terrace)
Pierre-Auguste Renoir (French, 1841–1919)

Earthly Paradise
Pierre Bonnard French, 1867–1947

Interior with a Couple Before a Chimney-Piece
Hubert Robert French, 1733-1808

Wounded Lioness
Pierre Andrieu (French, 1821-1892)

Tiger Resting
Pierre Andrieu (French, 1821-1892)

Parallèlement (In Parallel)
Pierre Bonnard (French, 1867-1947) poetry by Paul Verlaine (French, 1844-1896) printed by Imprimerie Nationale (French, 20th century) published by Ambroise Vollard (French, 1867-1939)

Acrobats at the Cirque Fernando (Francisca and Angelina Wartenberg)
Pierre-Auguste Renoir (French, 1841–1919)

Woman at the Piano
Pierre-Auguste Renoir (French, 1841–1919)