Bartholomaeus’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Saint Dominic Reading
Bartholomaeus Spranger Flemish, 1546-1611
Apollo and the Muses
Possibly Bartholomaeus Spranger (Flemish, 1546-1611) or Jacob de Wit (Dutch, 1695-1754) or Giacomo del Po (Italian, 1652-1726)
Entombment
Attributed to Bartholomaeus Spranger Flemish, 1546-1611
Madonna and Child with Saints Catherine and Dominic
Martyrdom of Saint Sebastian
Saint Sebastian
Bartholomeus Spranger Flemish, 1546–1611
St. John the Evangelist
Venus Receiving Gifts
Aegidius Sadeler (Flemish, 1570-1629) after Bartholomaeus Spranger (Flemish, 1546-1611)
Venus in Vulcan's Forge (recto); Geometry (verso)
Hermann Weyer (German, c. 1596-1621) or Bartholomaeus Spranger (Flemish, 1546-1611)
The Holy Family
Hendrick Goltzius (Dutch, 1558-1617) after Bartholomaeus Spranger (Flemish, 1546–1611)
Hercules and Omphale
Aegidius Sadeler, II (Flemish, c. 1570–1629) after Bartholomaeus Spranger (Flemish, 1546–1611)
Portrait of a Woman with a Prayer Book
Bartholomäus Bruyn the Younger (German, c. 1493-after 1553)
Portrait of Bartolomaeus Spranger with an Allegory of the Death of His Wife, Christina Müller
Aegidius Sadeler Flemish, c. 1570-1629
Bartolomeus Spranger
Jan Harmensz Muller (Dutch, 1571–1628) after Hans von Aachen (German, 1552-1616)
Spranger and his Wife
Aegidius Sadeler II Flemish, c. 1570–1629
Venus and Mercury
Jan Harmensz Muller (Flemish, 1540-1617) after Bartholomeus Spranger (Flemish, 1546-1611)
The Holy Family with the Young John the Baptist
Lucas Kilian (German, 1579-1637) after Bartholomeus Spranger (Flemish, 1546-1611)
Hendrick Goltzius (Dutch, 1558–1617) after Bartholomeus Spranger (Flemish, 1546–1611)
The Dead Saviour Supported by an Angel
Mars and Venus