Salvator’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

The Fall of the Giants
Salvator Rosa Italian, 1615-1673

Two warriors, one seated asleep on a foreground rock, from Figurine series
Salvator Rosa Italian, 1615-1673

A warrior sits on a block and gestures; two figure are behind him, from Figurine series
Salvator Rosa Italian, 1615-1673

Saint William of Maleval
After Salvator Rosa Italian, 1615-1673 Carlo Antonini ? c.1740 - c.1784

A Warrior in Full Armor in a Grotto
Salvator Rosa Italian, 1615-1673

Polycrates' Crucifixion
Salvator Rosa (Italian, 1615–1673)

Polycrates and the Fisherman
Salvator Rosa (Italian, 1615–1673)

Death of Atilius Regulus
Salvator Rosa Italian, 1615-1673

The Genius of Salvator Rosa
Salvator Rosa Italian, 1615-1673

The Crucifixion of Polycrates
Salvator Rosa Italian, 1615-1673

Glaucus and Scylla
Salvator Rosa Italian, 1615-1673

A bearded old man seated on a rock and making a hortatory gesture toward three men opposite him, from Figurine series
Salvator Rosa Italian, 1615-1673

Apollo and the Cumean Sibyl
After Salvator Rosa Italian, 1615-1673 Carlo Antonini ? c.1740 - c.1784

Three Soldiers Resting
Salvator Rosa Italian, 1615-1673

Study for Polycrates’ Crucifixion
Salvator Rosa Italian, 1615-1673

Diogenes Casting Away His Bowl
Salvator Rosa Italian, 1615-1673

Alexander in the Studio of Apelles
Salvator Rosa Italian, 1615-1673

An Old, Ragged Man with a Staff and a Ground at his Hip, from Figurina
Salvator Rosa Italian, 1615-1673

Study for Polycrates’ Crucifixion
Salvator Rosa Italian, 1615-1673