Jonathan’s work is defined by its 18th century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Sir Andrew Fountaine
Jonathan Richardson the Elder (English, 1667–1745)
Head of Bearded Man Looking Upwards
Jonathan Richardson (British, 1667-1745) after Federico Barocci (Italian, c. 1535–1612)
Self-Portrait
Jonathan Richardson British, 1667-1745
Un Cativo
Jonathan Richardson, the elder (British, 1667-1745) or Jonathan Richardson, the younger (British, 1694-1771)
Head of a Man (recto); Head of a Woman (verso)
Possibly Jonathan Richardson (British, 1667-1745) or Giovanni Battista Piazzetta (Italian, 1682-1754) or a follower of Godfrey Kneller (British, born Germany, 1646-1723)
Portrait of Isaac Richardson
Susanna Surprised by the Elders, from The Story of Susanna
Heinrich Aldegrever German, 1502-c.1560
Eve
Lucas Cranach the Elder (German, 1472–1553)
The Crucifixion
The Penitence of Saint John Chrysostom
Lucas Cranach the Elder German, 1472-1553
Adam
Saint Christopher
Lovers Surprised by Death
Hans Burgkmair the Elder German, 1473-1531
Portrait of Magdalena of Saxony, Wife of Elector Joachim II of Brandenburg
Bouquet of Flowers in an Earthenware Vase
Attributed to Jan Brueghel the Elder (Flemish, 1568–1625)
Equestrian Portrait of the Emperor Maximilian I
Susanna and the Elders
Annibale Carracci Italian, 1560-1609
Virgin and Child with Saint Anne, Saint Gereon, and a Donor
Bartholomäus Bruyn the Elder (German, 1493–1555)
The Virgin and Child with Saint Anne
Susanna and the Elders in the Garden, and the Trial of Susanna before the Elders
Master of Apollo and Daphne (Italian, active c. 1480–1510)