Perino’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Study for Perseus Liberating Andromeda
Pietro Buonaccorsi, called Perino del Vaga, after Italian, 1501-1547

Apollo and Daphne
After Pietro Buonaccorsi, called Perino del Vaga (Italian, 1501-1547) or after Giovanni Jacopo Caraglio (Italian, 1500/05-1565)

Apollo Driving the Chariot of the Sun
Workshop of Pietro Buonaccorsi, called Perino del Vaga Italian, 1501-1547

Seated Church Father (Saint Augustine?) with Putti
After Pietro Buonaccorsi, called Perino del Vaga Italian, 1501-1547

Studies of Warriors, Horsemen, and Lions (recto); Studies of Heads and Nude Figures, Ceiling Plan, and Inscriptions (verso)
Pietro Buonaccorsi, called Perino del Vaga Italian, 1501-1547

Female Caryatid
After Pietro Buonaccorsi, called Perino del Vaga Italian, 1501-1547

Fragment of a Composition with People Gesturing and Horses in the Background
After Pietro Buonaccorsi, called Perino del Vaga Italian, 1501-1547

Philosophers Discussing the Terrestrial Globe
After Pietro Buonaccorsi, called Perino del Vaga Italian, 1501-1547

Female Caryatid
After Pietro Buonaccorsi, called Perino del Vaga Italian, 1501-1547

Archers Shooting at a Herm, Triumph of Bacchus, and Other Studies
after Michelangelo Buonarroti (Italian, 1475-1564) and Pietro Buonaccorsi, called Perino del Vaga (Italian, 1501-1547)

The Virgin Enthroned with Saints Gregory and James, and a Family of Donors
Perino del Vaga Italian, 1501–1547

Study for Allegory of Faith and Silence
Bartolomeo Cesi (Italian, 1556-1629) or School of Perino del Vaga (Italian, 1500/01-1547)

Standing Prophet or Apostle
After Pellegrino Tibaldi (Italian, 1527-1596) and Perino del Vaga (Italian, 1501-1547)

Ceiling Design, with Sketches of Ornamental Border, Helmeted Head (recto); Sketches of Ornamental Details (verso)
School of Giovanni da Udine, called Giovanni dei Ricamatori (Italian, 1487-1561) or School of Perino del Vaga (Italian, 1500/01-1547)

Ornament with Two Bull's Heads (recto); Sketch of Geometric Borders (verso)
Attributed to Jean Charles Delafosse (French, 1734-1789) or the school of Perino del Vaga

Ceiling Decoration with Grotesques
Perino del Vaga, or circle of Italian, 1501-1547

Study of a Nude Seen from the Back, and Two Studies of an Arm (recto); Nude Seen from the Back, with Subsidiary Studies of a Shoulder and Leg (verso)
Perino del Vaga Italian, 1501–1547

La Multiplication des Pains (The Multiplication of Loaves), from Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France (Cabinet Crozat)
Anne Claude de Caylus (French, 1692-1765) after Perino del Vaga (Italian, 1501-1547)

Saint Paul Overcoming the Viper
Giulio Bonasone (Italian, c. 1510–after 1576) after Perino del Vaga (Italian, 1501-1547)

Fountain Figures
After Gian Lorenzo Bernini (Italian, 1598-1680) or possibly after Perino del Vaga (Italian, 1500/01-1547) or Virgilius Solis, the Elder (German, 1514-1562)