Parmigianino’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Venus with Cupid and Putto
Attributed to Parmigianino Italian, 1503-1540
Augustus and the Tiburtine Sibyl
After Parmigianino Italian, 1503-1540
Group of Nine Standing Figures
Francesco Mazzola, called Parmigianino Italian, 1503-1540
Minerva (or Bellona) in a Niche
after Francesco Mazzola, called Parmigianino Italian, 1503-1540
Female Heads
Old Shepherd Leaning on a Staff
Holy Family with Mary Magdalene
After Francesco Mazzola, called Parmigianino Italian, 1503-1540
Crucifixion
The Entombment
Parmigianino Italian, 1503-1540
Holy Family with Mary Magdalene and Male Saint
Woman Delousing a Child
Martyrdom of Saints Peter and Paul
Page Serving Wine or The Painter's Apprentice
Young Man Reading
Virgin and Child (recto); Sketch of Three Saints and Caricature Sketch (verso)
Sketch of Left Hand and Wrist
Saint James Major
Woman and Two Children
Virgin and Child Seated on Clouds
Attributed to Count Antonio Maria Zanetti the Elder (Italian, 1679/80–1767) or after Francesco Mazzola, called Il Parmigianino (Italian, 1503-1540)
Venus and Mars with Putti (recto); Bearded Man Moving to Right (verso)
Circle of Francesco Mazzola, called Parmigianino Italian, 1503-1540