Carlo’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Head of Child
Carlo Maratti Italian, 1625-1713
Assumption of the Virgin
School of Carlo Maratti Italian, 1612-1666
The Mystic Marriage of Saint Catherine
Allegory of Drawing
Unknown artist after Nicolas Dorigny (French, 1658-1746) after Carlo Maratti (Italian, 1625-1713)
Joseph Interpreting His Dream to His Brothers
School of Carlo Maratti Italian, 1625-1713
The Flagellation of Christ
Attributed to Carlo Maratta Italian, 1625-1713
Madonna and Child
Possbily after Carlo Maratti (Italian, 1625-1713) or Style of Lodovico Carracci (Italian, 1555-1619)
Two Sketches of Left Hand
Spandrel Decoration with Two Putti
After Carlo Maratti Italian, 1625-1713
Head of a Sleeping Man
Unknown artist, possible circle of Carlo Maratti Italian, 17th century
Two Sketches: Seated Man Holding Book, Draped Right Arm
Attributed to Carlo Maratta (Italian, 1625-1713) or Lodovico Carracci (Italian, 1555-1619)
Half-Length View of Madonna
Follower of Carlo Maratti (Italian, 1625-1713) or Style of Elisabetta Sirani (Italian, 1638-1665)
After Carlo Maratti (Italian, 1625-1713) or possibly Raymond de Lafage (French, 1656-1690)
Saint Standing in a Niche
Follower of Carolo Maratti Italian, 1625-1713
Apotheosis of Saint Elias
Style of Carlo Maratti (Italian, 1625-1713) or Franciabigio (Italian, 1484-1525)
Madonna and Sleeping Christ Child with Male Saint
School of Carlo Maratti (Italian, 1625-1713) or possibly Agostino Masucci (Italian, c. 1691-1758)
Saint with the Palm of Martyrdom
Copy after Drawing by Carlo Maratta
Francisco Vieira de Mattos, the elder (Portuguese, 1699-1783) after Carlo Maratti (Italian, 1625-1713)
Apotheosis of Saint Francis Xavier