Carlo’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Head of Child
Carlo Maratti Italian, 1625-1713

Assumption of the Virgin
School of Carlo Maratti Italian, 1612-1666

The Mystic Marriage of Saint Catherine
Carlo Maratti Italian, 1625-1713

Allegorical Scene in Artist's Studio
After Carlo Maratti Italian, 1625-1713

Joseph Interpreting His Dream to His Brothers
School of Carlo Maratti Italian, 1625-1713

The Flagellation of Christ
Carlo Maratta Italian, 1625-1713

Madonna and Child
Possbily after Carlo Maratti (Italian, 1625-1713) or Style of Lodovico Carracci (Italian, 1555-1619)

Two Sketches of Left Hand
Carlo Maratti Italian, 1625-1713

Spandrel Decoration with Two Putti
After Carlo Maratti Italian, 1625-1713

Two Sketches: Seated Man Holding Book, Draped Right Arm
Attributed to Carlo Maratta (Italian, 1625-1713) or Lodovico Carracci (Italian, 1555-1619)

Half-Length View of Madonna
Follower of Carlo Maratti (Italian, 1625-1713) or Style of Elisabetta Sirani (Italian, 1638-1665)

Assumption of the Virgin
After Carlo Maratti (Italian, 1625-1713) or possibly Raymond de Lafage (French, 1656-1690)

Madonna and Child
Style of Carlo Maratti (Italian, 1625-1713) or Franciabigio (Italian, 1484-1525)

Saint Standing in a Niche
Follower of Carolo Maratti Italian, 1625-1713

Apotheosis of Saint Elias
School of Carlo Maratti Italian, 1625-1713

Madonna and Sleeping Christ Child with Male Saint
School of Carlo Maratti (Italian, 1625-1713) or possibly Agostino Masucci (Italian, c. 1691-1758)

Saint with the Palm of Martyrdom
School of Carlo Maratti Italian, 1625-1713

Copy after Drawing by Carlo Maratta
Francisco Vieira de Mattos, the elder (Portuguese, 1699-1783) after Carlo Maratti (Italian, 1625-1713)

Apotheosis of Saint Francis Xavier
Carlo Maratti Italian, 1625-1713

Study for the Origin of the Rose
Attributed to Carlo Maratti (Italian, 1625-1713) or Pier Francesco Mola (Italian, 1612-1666)