Pietro’s work is defined by its 18th century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Portrait of the Architect Giuseppe Valadier
Pietro Labruzzi (Italian, 1739–1805)
Mourners in a Graveyard
Carlo Labruzzi Italian, 1748-1818
Hercules and Antaeus
Attributed to Pietro Tacca (Italian, 1577–1640) After Giambologna (Flemish, active Italy, 1529–1608)
The Dance
Pietro Longhi (Italian, 1702–1785)
Lady at Her Toilette
Hercules and Lichas
Bust of a Nobleman in Armor
Attributed to Pietro Tacca (Italian, 1577–1640)
Virgin and Child with Saints Jerome, Bernardino of Siena, and Angels
Sano di Pietro (Italian, 1405–1481)
A View from the Palatine Hill, Rome, the Alban Hills in the Distance
The Holy Trinity with Saint Michael Conquering the Dragon
Pietro da Cortona Italian, 1596-1669
Half-Length Recumbent Male Nude Seen from the Back
Pietro Faccini Italian, c. 1562-1602
Female Bust (possibly Aïda)
Pietro Calvi (Italian, 1833–1884)
La Petite Toilette (The Little Toilette, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle)
Pietro Antonio Martini (Italian, 1738-1797) after Jean Michel Moreau (French, 1741-1814) published by Laurent-François Prault (French 1712-1780)
Bust of a Man
Portrait of a Gentleman
Pietro de Marescalchi (Italian, 1522-1589)
Study for 'The Dream of Saint Joseph'
Pietro Testa Italian, 1611/12-1650
Lamentation over the Dead Christ
Allegory in Honor of Grand Duke Gian-Gastone de' Medici
Unknown (possibly French, early 18th-century)
The Adoration of the Magi
Pietro della Vecchia (Italian, 1605-1678)