Artist

Maerten van Heemskerck

1498–1574

132130

Works

Years lived

Painter

Style

Maerten’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Selected works

132130 pieces

Abigail

Maarten van Heemskerck Netherlandish, 1498-1574

Turbaned Soldier Holding a Lance

Unknown artist after Maarten van Heemskerck (Netherlandish, 1498-1574)

Prudence and Justice

After Marten van Heemskerck (Netherlandish, 1498-1574) or Abraham Janssens (Flemish, c. 1574-1632) or Theodor van Thulden (Dutch, 1606-1669) or after Cornelis Bos (Netherlandish, 1506/10-c. 1564)

Shooting at Father's Corpse

Attributed to Marten van Heemskerck Netherlandish, 1498-1574

The Conversion of Saul

Possibly Maerten van Heemskerck (Dutch, 1498–1574) or Dirck Volkertsz. Coornhert (Netherlandish, 1522-1590)

Spring, from The Four Seasons

Philips Galle (Flemish, 1537-1612) after Maerten van Heemskerck (Dutch, 1498–1574)

Summer, from The Four Seasons

Philips Galle (Flemish, 1537-1612) after Maerten van Heemskerck (Dutch, 1498–1574)

Autumn, from The Four Seasons

Philips Galle (Flemish, 1537-1612) after Maerten van Heemskerck (Dutch, 1498–1574)

Winter, from The Four Seasons

Philips Galle (Flemish, 1537-1612) after Maerten van Heemskerck (Dutch, 1498–1574)

The Devil Painting Man’s Heart, from Allegory of the Misuse of Worldly Property

Willem van Swanenburgh (Dutch, 1580–1612) after Maerten van Heemskerck (Dutch, 1498–1574)

A Young Man Climbing a Hillside Aided by Cupid, from Allegory of the Misuse of Worldly Property

Willem van Swanenburgh (Dutch, 1580–1612) after Maerten van Heemskerck (Dutch, 1498–1574)

A Man and the Devil Filling a Sack with Money and Setting Up a Statue of Hope, from Allegory of the Misuse of Worldly Property

Willem van Swanenburgh (Dutch, 1580–1612) after Maerten van Heemskerck (Dutch, 1498–1574)

Death with an Arrow About to Strike Man Down, from Allegory of the Misuse of Worldly Property

Willem van Swanenburgh (Dutch, 1580–1612) after Maerten van Heemskerck (Dutch, 1498–1574)

The Mocking of Noah

Dirck Volkertsz. Coornhert (Netherlandish, 1522–1590) after Maerten van Heemskerck (Dutch, 1498–1574)

The Prodigal Son Squandering his Inheritance on Harlots

Cornelis Bos (Flemish, c. 1510-before 1566) after Maerten van Heemskerck (Dutch, 1498–1574)

Judith and Holofernes

Johann Theodor de Bry (Franco-Flemish, 1561–1623) after Maerten van Heemskerck (Netherlandish, 1498-1574)

Two Female Allegorical Figures with Cupid

Unknown artist (possibly Dutch, late 16th-early 17th century) or follower of Maerten van Heemskerck (Netherlandish, 1498-1574)

The Prodigal Son Squandering his Inheritance on Harlots, from The Parable of the Prodigal Son

Philips Galle (Flemish, 1537-1612) after Maerten van Heemskerck (Dutch, 1498–1574) published by Hieronymus Cock (Flemish, c. 1510-1570)

Celestial Venus (recto); Main Hall, Baths of Diocletian (verso)

Circle of Maarten van Heemskerck Netherlandish, 1498-1574

Simon Vouet

Robert van Voerst (Flemish, 1597-1636/37) after Anthony van Dyck (Flemish, 1599-1641)