Anne-Louis’s work is defined by its nineteenth century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Sketch for The Revolt of Cairo
Anne-Louis Girodet de Roussy-Trioson (French, 1767-1824)
Fingal Mourning Over the Body of Malvina, from Ossian's Berrathon
Anne-Louis Girodet de Roucy-Trioson French, 1767-1824
Jean-Baptiste Belley
Attributed to Anne-Louis Girodet de Roucy-Trioson French, 1767-1824
Portrait of the Katchef Dahouth, Christian Mameluke
Anne-Louis Girodet de Roussy-Trioson (French, 1767–1824)
Hermione Rejecting Orestes
Bayard Refusing the Presents of His Hostess, in Brescia
Phaedre, Having Declared Her Passion, Attempts to Kill Herself with the Sword of Hippolytus
The Archery Match, from the Aeneid, Book V
Bust of Male Nude (recto); Portrait Sketch of Man with Sketches of Women (verso)
Formerly attributed to Anne-Louis Girodet de Roucy-Trioson French, 1767-1824
Portrait of Coupin de la Couperie
Anne-Louis Girodet de Roucy-Trioson (French, 1767-1824) printed by Gottfried Engelmann (French, 1788-1839)
Louis Phélypeaux de la Vrillière
Robert Nanteuil French, 1623-1678
E-21: French Boudoir of the Louis XV Period, 1740-60
Designed by Narcissa Niblack Thorne American, 1882-1966
E-23: French Dining Room of the Periods of Louis XV and Louis XIV
E-24: French Salon of the Louis XVI Period, c. 1780
E-5: English Cottage Kitchen of the Queen Anne Period, 1702-14
E-18: French Salon of the Louis XIV Period, 1660-1700
E-22: French Provincial Bedroom of the Louis XV Period, 18th Century
E-6: English Library of the Queen Anne Period, 1702-50
E-19: French Dining Room of the Louis XIV Period, 1660-1700