John’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Self-Portrait
John Flaxman, II English, 1755-1826

Minerva and Achilles
John Flaxman, II English, 1755-1826

Amphion and Zethus Delivering their Mother Antiope from the Fury of Dirce and Lycus
John Flaxman English, 1755-1826

Polyphemus Begging Ulysses for More Wine
John Flaxman, II English, 1755-1826

Athena and the Winds
John Flaxman, II English, 1755-1826

The Council of the Gods
John Flaxman, II English, 1755-1826

Hector Chiding Paris
John Flaxman, II English, 1755-1826

Achilles and Patroclus
John Flaxman, II English, 1755-1826

Ulysses Killing the Suitors
John Flaxman, II English, 1755-1826

Othus and Ephialtes Holding Ares Captive
John Flaxman, II English, 1755-1826

Vulcan and Thetis
John Flaxman, II English, 1755-1826

Apollo and Diana
John Flaxman, II English, 1755-1826

Seven Chiefs Against Thebes
John Flaxman, II English, 1755-1826

The Harpies and the Daughters of Pandarus
John Flaxman, II English, 1755-1826

The Song of Demodocus
John Flaxman, II English, 1755-1826

Copy of Calvary from the Parthenon Frieze
Possibly John Flaxman, II English, 1755-1826

Ulysses, Penelope and Euryclea
John Flaxman, II English, 1755-1826

The Hours Taking the Horses from Juno's Car
John Flaxman, II English, 1755-1826

Sleep Escaping from the Wrath of Zeus
John Flaxman, II English, 1755-1826

Juno Comanding the Sun to Set
John Flaxman, II English, 1755-1826