Philibert’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
The Dressing Room of the Extras of the Comedie Francaise
Attributed to Philibert Louis Debucourt French, 1755-1832
Heur et Malheur ou La Cruche Cassée (Luck and Misfortune or the Broken Jug)
Philibert Louis Debucourt French, 1755-1832
La Promenade Publique (The Public Promenade)
La Noce au Chateau (The Night at the Chateau)
Promenade de la gallerie du Palais Royal (The Palais Royal-gallery Walk)
Le Menuet de la mariée (The Minuet of the married)
Le Main (The Hand)
La Rose (The Rose)
Les Courses du Matin ou La Porte d'un Riche (The Morning Courses or At the Door of a Wealthy Home from Moers et Ridicules)
L'Escalade ou Les Adieux du Matin (The Climb or The Farwell in the Morning)
The Carnival
After Philibert Louis Debucourt French, 1755-1832
Nocturnal Burial Near Pyramid
Annette et Lubin (Annette and Lubin)
Ils sont heureux (They are happy)
Sainte Genevieve (Saint Genevieve)
Paternal Pleasures
Toilette of the Law Clerk
Philibert-Louis Debucourt (French, 1755–1832) after Carle Vernet (French, 1758–1836)
La Route de St. Cloud ou de Poissy (Furnishing Fabric)
Designed by Carle Vernet (French, 1758–1836) and Delmès (French, founded 1815) engraved by Philibert Louis Debucourt (French, 1755-1831) after Carle Vernet (French 1758-1836) Manufactured by Favre Petitpierre et Cie. (French, 1802-1818) France, Nantes