Ludovico’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Study for Cosimo I Reorganizing the Tuscan Troops
Ludovico Buti Italian, c. 1550-1611
The Vision of Saint Francis
Ludovico Carracci (Italian, 1555–1619)
St. Irene Tending St. Sebastian with Saints
Ludovico Lana Italian, c. 1597-1646
Saint Benedict Moving the Stone which a Demon Had Made Immobile
after Ludovico Carracci Italian, 1555-1619
Kiss of Judas
Attributed to Ludovico Carracci Italian, 1555-1619
The Adoration of the Shepherds
Ludovico Carracci Italian, 1555-1619
Study for a Thesis Conclusion Presented to the Duke of Mantua
Funeral of the Virgin
Peter Cornelius (German, 1783-1867) after Ludovico Carracci (Italian, 1555-1619)
Study for Saint Jerome
After Ludovico Carracci Italian, 1555-1619
Scene with Soldiers
Ludovico Cardi, called Il Cigoli Italian, 1559-1613
Cardinal Ludovico Ludovisi
Ottavio Leoni Italian, 1578-1630
Seated Draped Woman in Profile
Flayed Man
Circle of Ludovico Cardi, called Il Cigoli Italian, 1559-1613
Adoration of the Magi
Attributed to Francesco Brizio (Italian, c. 1574-1623) after Ludovico Carracci (Italian, 1555-1619)
Two Prophets
Jean-Honoré Fragonard (French, 1732-1806) after Ludovico Carracci (Italian, 1555-1619)
Study of a Youth for the Loggia of Cupid and Psyche
Head of a Bearded Man, Looking Up to Right: Study for Saint Catherine of Alexandria Disputing with the Pagan Priests
Ludovico Cardi, called Il Cigoli (Italian, 1559-161 or follower of Federico Barocci (Italian, c. 1535-1612)
Sketches of Four Putti (recto); Kneeling Ecclesiastic (verso)
Recto by Ludovico Carracci (Italian, 1555-1619) Verso possibly by Ludovico Carracci (Italian, 1555-1619) or possibly in the style of Guglielmo Caccia (Italian, c. 1568-c. 1625)
Fall of the Damned (recto); Sketches of Seated Saint John the Baptist (verso)
Prometheus Taking Fire From Olympus
Possibly Ludovico Cardi, called Il Cigoli (Italian, 1559-1613) or possibly Marco Antonio Franceschini (Italian, 1648-1729) or possibly Circle of Lorenzo de' Ferrari (Italian, 1680-1744) or possibly Circle of Paolo de Matteis (Italian, 1662-c. 1728)