Eugène’s work is defined by its 19th century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Landscape
Eugène Blery (French, 1805–1887)

The Two Oaks, Fontainebleau
Eugène Blery French, 1805-1887

Harbor with Cutters
Eugène Blery (French, 1805-1887) or Eduard Julius Friedrich Bendemann (German, 1811-1889)

The Large Thistle, plate three from Les quatres grandes plantes
Eugène Blery French, 1805-1887

Bramble and Ivy
Eugène Blery French, 1805-1887

The Bouquet of Trees, or The Lindens (Souvenir of the Sarthe)
Eugène Blery French, 1805-1887

View of the Village of Limay
Eugène Blery French, 1805-1887

Bramble and Ivy
Eugène Blery French, 1805-1887

Fisherman Seated on Lobster Pot
Eugène Blery French, 1805-1887

Portfolio
Charles Meryon (French, 1821-1868) signed by Eugène Blery (French, 1805-1887)

The Old Oak by the Pools at Bellecroix
Eugène Blery French, 1805-1887

Lady in Red
Eugene Larkin American, 1921-2010

Sheet of Sketches
Eugène Delacroix French, 1798-1863

Study for Marphise and the Mistress of Pinabel
Eugène Delacroix French, 1798-1863

Lion Hunt
Eugène Delacroix (French, 1798–1863)

Arab Horseman Attacked by a Lion
Eugène Delacroix (French, 1798–1863)

Brother Martin Clasping the Iron Hand of Goetz
Eugène Delacroix French, 1798-1863

The Combat of the Giaour and Hassan
Eugène Delacroix (French, 1798–1863)

Normandy
Eugène Isabey (French, 1803-1886) printed by Francois Seraphin Delpech (French, 1778-1825)

Plate Four, from Souvenir of Brittany
Eugène Isabey (French, 1803-1886) printed by Charles Étienne Pierre Motte (French, 1785-1836)