Michel’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Naomi Counseling Ruth Near the Farm of Boaz
Attributed to Michel Corneille, the Younger (French, 1642–1708) after Annibale Carracci (Italian, 1560-1609)
Birth of Venus
Michel Corneille, the Younger French, 1642–1708
Rest on the Flight into Egypt
Satyr, Nymph and Putto by Pool
After Michel Corneille, the Younger French, 1642–1708
Venus and Adonis
Follower of Michel Corneille, the Younger French, 1642–1708
Christ's Entry Into Jerusalem
Madonna Seated on Clouds and Sketch of Angel's Wing
Michelle Corneille, the Younger French, 1642-1708
Italian Landscape with Three Figures
Landscape along a River
Attributed to Michel-Ange Houasse French, 1680-1730
Landscape with an Old Castle
Bust of Seleucus Nicator of Syria
Italian Chiurazzi and De Angelis Foundry, Naples, Italy
Portrait of Louise de Halluin, dame de Cipierre
Corneille de Lyon (French, c. 1505-1575)
Portrait of a Man
The Storm
Georges Michel (French, 1763-1843)
Ascension of Christ
Giulio Cesare Angeli Italian, 1570-1630
Abduction of the Sabines
Attributed to Giuseppe Angeli (Italian, c. 1709-1798)
Sacrifice of Manoah
Possibly Michel Corneille (French, c. 1601-1664) or possibly Carlo Maratti (Italian, 1625-1713)
The Church of Santa Maria della Salute, Venice
Michele Marieschi (Italian, 1710–1743)
The Baptism of Christ (verso); The Circumcision of Christ (recto), pages 34 and 33, from the Treasury (Schatzbehalter)
Michael Wolgemut and Workshop (German, 1434/37–1519) published by Anton Koberger (German, 1440–1513)
Image of Death (Imago Mortis), from the Nuremberg Chronicle
Michael Wolgemut and Workshop German, 1434-1519