Michel’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Naomi Counseling Ruth Near the Farm of Boaz
Attributed to Michel Corneille, the Younger (French, 1642–1708) after Annibale Carracci (Italian, 1560-1609)

Birth of Venus
Michel Corneille, the Younger French, 1642–1708

Rest on the Flight into Egypt
Michel Corneille, the Younger French, 1642–1708

Venus and Adonis
Follower of Michel Corneille, the Younger French, 1642–1708

Christ's Entry Into Jerusalem
Michel Corneille, the Younger French, 1642–1708

Satyr, Nymph and Putto by Pool
After Michel Corneille, the Younger French, 1642–1708

Madonna Seated on Clouds and Sketch of Angel's Wing
Michelle Corneille, the Younger French, 1642-1708

Italian Landscape with Three Figures
Michel Corneille, the Younger French, 1642–1708

Landscape along a River
Attributed to Michel-Ange Houasse French, 1680-1730

Landscape with an Old Castle
Attributed to Michel-Ange Houasse French, 1680-1730

Bust of Seleucus Nicator of Syria
Italian Chiurazzi and De Angelis Foundry, Naples, Italy

Portrait of Louise de Halluin, dame de Cipierre
Corneille de Lyon (French, c. 1505-1575)

Portrait of a Man
Corneille de Lyon (French, c. 1505-1575)

The Storm
Georges Michel (French, 1763-1843)

Ascension of Christ
Giulio Cesare Angeli Italian, 1570-1630

Abduction of the Sabines
Attributed to Giuseppe Angeli (Italian, c. 1709-1798)

Sacrifice of Manoah
Possibly Michel Corneille (French, c. 1601-1664) or possibly Carlo Maratti (Italian, 1625-1713)

The Church of Santa Maria della Salute, Venice
Michele Marieschi (Italian, 1710–1743)

The Baptism of Christ (verso); The Circumcision of Christ (recto), pages 34 and 33, from the Treasury (Schatzbehalter)
Michael Wolgemut and Workshop (German, 1434/37–1519) published by Anton Koberger (German, 1440–1513)

Image of Death (Imago Mortis), from the Nuremberg Chronicle
Michael Wolgemut and Workshop German, 1434-1519