Ferdinando’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Temple of Minerva Medica
possibly Ferdinando Galli-Bibiena (Italian, 1657-1743) or the circle of Paolo Anesi (Italian, c. 1690-1773)

Stage Setting
School of Ferdinando Galli Bibiena Italian, 1657-1743

Festival Hall From a Theatrical Scene
Attributed to Giuseppe Galli-Bibiena Italian, 1696-1757

Bireno and Olimpia
Ferdinando Tacca (Italian, 1619–1686)

Bead
China

Bead
China

Untitled (1)
edited by Ferdinando Ongania Italian, 1842–1911

Raising of Lazarus
Ferdinando Castiglia Spanish, active 1777

The Grand Duke Fortifies the Port of Livorno, from The Life of Ferdinando I de’ Medici
Jacques Callot (French, 1592-1635) after Matteo Rosselli (Italian, 1578-1650)

Untitled (41)
edited by Ferdinando Ongania Italian, 1842–1911

Untitled (31)
edited by Ferdinando Ongania Italian, 1842–1911

Untitled (99)
edited by Ferdinando Ongania Italian, 1842–1911

Medal Depicting Ferdinando I de' Medici (1549–1609)
Antonio Francesco Selvi (Italian, 1679–1755)

Medal Depicting Ferdinando III de' Medici (1663–1713)
Antonio Francesco Selvi (Italian, 1679–1755)

Untitled (20)
edited by Ferdinando Ongania Italian, 1842–1911

Untitled (27)
edited by Ferdinando Ongania Italian, 1842–1911

Untitled (32)
edited by Ferdinando Ongania Italian, 1842–1911

Untitled (27)
edited by Ferdinando Ongania Italian, 1842–1911

Untitled (43)
edited by Ferdinando Ongania Italian, 1842–1911

Untitled (67)
edited by Ferdinando Ongania Italian, 1842–1911