Federico’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Christ Child: Study for the Madonna di San Giovanni
Federico Barocci Italian, c. 1535-1612
The Vision of Saint Francis
The Entombment of Christ
Federico Barocci (Italian, c. 1535-1612) or follower
Head of the Swooning Virgin: Study for the Deposition (recot) Base of Column (verso)
The Annunciation
Saint Francis Receiving the Stigmata
Federico Barocci Italian, 1526/28-1612
Rest on the Flight into Egypt (recto); Madonna of the Rosary (verso)
After Federico Barocci Italian, c. 1535-1612
Grove of Trees
Rest on the Flight into Egypt
Kneeling Magdalene and Tomb Attendant
Madonna and Child on Clouds
Study of a Seated Male Nude
School of Federico Barocci Italian, 1526/28-1612
Study for the Christ Child in the Madonna of S. Simone (recto); Study of a Landscape (verso)
Federico Barocci Italian, 1528–1612
Study for the "Madonna of the Rosary"
Head of a Bearded Man, Looking Up to Right: Study for Saint Catherine of Alexandria Disputing with the Pagan Priests
Ludovico Cardi, called Il Cigoli (Italian, 1559-161 or follower of Federico Barocci (Italian, c. 1535-1612)
Head of Bearded Man Looking Upwards
Jonathan Richardson (British, 1667-1745) after Federico Barocci (Italian, c. 1535–1612)
Unknown artist after Federico Barocci (Italian, 1528–1612)
Calling of the Disciples Peter and Andrew
Aegidius Sadeler II (Flemish, c. 1570–1629) after Federico Barocci (Italian, 1535–1612)
The Holy Family with Saint John the Baptist
Follower of Federico Barocci Italian, 1528–1612
Half Length Sketch of Girl with Crossed Arms
Unknown Italian artist (16th century) or Bartolomeo Schedoni (Italian, 1578-1615) or Federico Barocci (Italian, 1526-1612)