Alessandro’s work is defined by its 16th century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Francesco de' Medici
Attributed to Alessandro Allori (Italian, 1535–1607)

Vision of Saint Francis of Assisi at the Portiuncula (recto); Ornamental Design (verso)
Circle of Alessandro Allori Italian, 1535-1607

The Annunciation
Alessandro Vittoria (Italian, 1525–1608)

Theodosius Repulsed from the Church by Saint Ambrose
Alessandro Magnasco (Italian, 1667–1749)

Crucifix
Alessandro Algardi (Italian, 1598–1654)

Portrait of a Musician
Alessandro Longhi (Italian, 1733–1813)

Arcadian Landscape with Figures
Alessandro Magnasco (Italian, 1667–1749)

Madonna and Child
Afted Alessandro Algardi (Italian, 1598–1654)

Alessandro de' Medici
Jacopo da Pontormo (Jacopo Carrucci; Italian, 1494-1557)

Picaresque Group with a Monkey and a Magpie
Alessandro Magnasco Italian, 1667-1749

One of the Set of the Four Evangelists: John
Alessandro Vittoria (Italian, 1525–1608)

One of the Set of the Four Evangelists: Matthew
Alessandro Vittoria (Italian, 1525–1608)

The Synagogue
Alessandro Magnasco (Italian, 1667-1749)

An Allegory of Bologna
Alessandro Algardi Italian, 1598-1654

One of the Set of the Four Evangelists: Luke
Alessandro Vittoria (Italian, 1525–1608)

One of the Set of the Four Evangelists: Mark
Alessandro Vittoria (Italian, 1525–1608)

Venus and Cupid
Alessandro Turchi (Italian, 1578–1649)

Ballad Singer at a Shrine of the Virgin
Alessandro Magnasco Italian, 1667-1749

Sketches of Trees
Attributed to Cristofano Allori Italian, 1577-1621

Pendant with a Cameo of Orpheus Charming the Animals
Italian