Pietro’s work is defined by its nineteenth century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Female Bust (possibly Aïda)
Pietro Calvi (Italian, 1833–1884)

Bust of a Man
Pietro Calvi (Italian, 1833–1884)

Hercules and Antaeus
Attributed to Pietro Tacca (Italian, 1577–1640) After Giambologna (Flemish, active Italy, 1529–1608)

The Dance
Pietro Longhi (Italian, 1702–1785)

Lady at Her Toilette
Pietro Longhi (Italian, 1702–1785)

Hercules and Lichas
Attributed to Pietro Tacca (Italian, 1577–1640) After Giambologna (Flemish, active Italy, 1529–1608)

Bust of a Nobleman in Armor
Attributed to Pietro Tacca (Italian, 1577–1640)

Virgin and Child with Saints Jerome, Bernardino of Siena, and Angels
Sano di Pietro (Italian, 1405–1481)

Portrait of the Architect Giuseppe Valadier
Pietro Labruzzi (Italian, 1739–1805)

The Holy Trinity with Saint Michael Conquering the Dragon
Pietro da Cortona Italian, 1596-1669

Half-Length Recumbent Male Nude Seen from the Back
Pietro Faccini Italian, c. 1562-1602

La Petite Toilette (The Little Toilette, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle)
Pietro Antonio Martini (Italian, 1738-1797) after Jean Michel Moreau (French, 1741-1814) published by Laurent-François Prault (French 1712-1780)

Portrait of a Gentleman
Pietro de Marescalchi (Italian, 1522-1589)

Study for 'The Dream of Saint Joseph'
Pietro Testa Italian, 1611/12-1650

Lamentation over the Dead Christ
Pietro da Cortona Italian, 1596-1669

Allegory in Honor of Grand Duke Gian-Gastone de' Medici
Unknown (possibly French, early 18th-century)

The Adoration of the Magi
Pietro della Vecchia (Italian, 1605-1678)

Reclining Male Nude, with Trident
Pietro Faccini Italian, c. 1560-1602

Paperweight
Pietro Bigaglia (Italian, 1786-1878)

Paperweight
Pietro Bigaglia (Italian, 1786-1878)