Wou-Ki’s work is defined by its contemporary sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
The Night Is Stirring (Anger) (La Nuit remue [colère])
Zao Wou-Ki French, born China, 1921-2013
Pink Composition (Composition en rose)
Plaine Rose
Composition
Water Dropper in the Shape of a Lotus Flower
Kim Ki-chul Korean, born 1933
Zao Hall, Yoshino (Yoshino Zaodo)
Kawase Hasui 川瀬 巴水 Japanese, 1883-1957
A Parody of Hachi no ki
Utagawa Toyokuni I 初代 歌川 豊国 Japanese, 1769–1825
"Ki," from the series "Tales of Ise in Fashionable Brocade Pictures (Furyu nishiki-e Ise monogatari)"
Katsukawa Shunsho 勝川 春章 Japanese, 1726-1792
Poem by Ki no Tsurayuki, from an untitled series of Thirty-Six Immortal Poets
Suzuki Harunobu 鈴木 春信 Japanese, 1725 (?)-1770
The Actor Matsumoto Koshiro III as Akita Jonosuke in the Play Kawaranu Hanasakae Hachi no Ki, Performed at the Nakamura Theater in the Eleventh Month, 1769
Ippitsusai Buncho Japanese, active c. 1755-90
Onoe Matsusuke I as the Ghost of the Warrior Ki no Natora, in Kiku no En Mukashi no Miyako
Katsukawa Shun'ei Japanese, 1762-1819
Actor Iwai Hanshirô IV as Akita Jônosuke Yoshikage in a “Shibaraku” role in “Memorial Service for St. Nichiren: A Model of ‘The Potted Trees’”(“Mieiko Nori no Hachi no Ki”)
Attributed to Katsukawa Shun’ei Japanese, 1762–1819
Hachi no Ki, from the series "One Hundred No Dramas (Nogaku hyakuban)"
Tsukioka Kogyo Japanese, 1869-1927
The Bamboo Flute and the Potted Tree (Shakuhachi hachi-no-ki), no. 12 from a series of 12 prints depicting parodies of plays
Okumura Masanobu Japanese, 1686-1764
Yellow (Ki), from the series "Five Colors (Goshiki no uchi)"
Ryuryukyo Shinsai Japanese, c. 1764-1820
Actor Nakamura Nakazō I as Yamaoka no Saburō, in “The Ever-Blooming Potted Tree” (Kawaranu Hanasakae Hachino Ki)
Ippitsusai Bunchô Japanese, active c.1755–90
The Actors Nakamura Utaemon I as Karashi Baba (right), and Ichikawa Danjuro IV as Sanshodayu (left), in the Play Kawaranu Hanasakae Hachi no Ki, Performed at the Nakamura Theater in the Eleventh Month, 1769