Utagawa’s work is defined by its japanese (culture or style) sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Americans Baking Bread (Amerikajin pan wo yaku zu)
Utagawa Yoshikazu Japanese, active c. 1850-70
Sketch of a Copperplate Print of the City of Washington (Amerika shu no uchi washintonfu no kei doban no utsushi)
Utagawa Yoshikazu Japanese, active c. 1850–70
American Steam Train Travel
Americans on an Outing (Amerikajin yuko no zu)
Arrival and Departure of an American Steamship (Amerikakoku jokisha orai)
Americans Drawn from Life (Sho utsushi Amerikajin)
Among the Five Nations: Americans (Gokakoku no uchi, Amerikajin)
A Foreign Camera (Gaikoku shashinkyo no zu)
Island of Little People (Kobitojima)
Portrait of Americans: Oven for Breadmaking (Amerika-jin no zu, pansei no kamato)
Holland (Oranda koku)
Picture of Large Elephant from India (Tenjiku hakurai dai zo no shashin), An Attraction at Ryogoku in the Eastern Capital (Toto Ryogoku mimono)
Dutch Couple Drinking Wine (Orandajin sakamori)
Foreigners Drinking Wine (Gaikokujin shuen no zu)
Russia (Oroshia koku), from the Countries of Asia (Ajia shu no uchi)
Foreigner Caring for Her Children (Gaikokujin kodomo choai no zu)
France (Furansukoku), from the Countries of Europe (Yoroppa-shu no uchi)
Preparing Meals in a Foreign Residence (Ijin yashiki ryori no zu)
True Picture of the French (Shosha Furansujin)
French in Miyozakimachi (Furansujin, Miyozakimachi), from the series "Famous Places in Yokohama (Yokohama meisho)"