Jan’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Madonna Crowned by Two Angels
Jan Wierix (Flemish, 1549-c. 1620) after Albrecht Dürer (German, 1471-1528)
St. Bartholomew
Noah's Sacrifice, plate IX from The Creation and Early History of Man
Jan Wierix Flemish, 1549-c. 1620
Knight, Death, and Devil
Frontispiece, from Theatrum Vitae Humanae (The Ages of Man)
Jan Wierix Flemish, 1549–c. 1618
Composita,from Theatrum Vitae Humanae (The Ages of Man)
Corinthia, from Theatrum Vitae Humanae (The Ages of Man)
Ionica, from Theatrum Vitae Humanae (The Ages of Man)
Dorica, from Theatrum Vitae Humanae (The Ages of Man)
Tuscana, from Theatrum Vitae Humanae (The Ages of Man)
Ruyne, from Theatrum Vitae Humanae (The Ages of Man)
Satires about the Situation in the Low Countries: The Sleeping Lion (Plate 2)
Attributed to Johannes Wierix Flemish, 1555-1604
Coat of Arms with a Skull
Ignatius of Loyola kneeling before Christ, the Virgin and St Peter
Jan Lievens
Lucas Emil Vorsterman (Flemish, 1595-1675) after Anthony van Dyck (Flemish, 1599-1641)
Andromeda
Jan Saenredam (Dutch, 1565-1607) after Hendrick Goltzius (Dutch, 1558-1617) published by Frederick de Wit (Dutch, c. 1629-1706)
Jan de Wael
Anthony van Dyck Flemish, 1599-1641
Sudarium Displayed by Two Angels
Jerome Wierix (Flemish, 1553-1619) after Albrecht Dürer (German, 1471-1528)
The Family Concert
Jan Steen (Dutch, 1626–1679)
St Michael Triumphing Over the Dragon
Jerome Wierix (Flemish, 1553-1619) after Martin de Vos (Flemish, 1532-1603)