Torii’s work is defined by its japanese (culture or style) sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Long Undergarment (Nagajuban)
Torii Kotondo Japanese, 1900-1976
Combing Hair (Kamisuki)
Morning Hair (Asanegami)
Make-up
Tipsy (Horoyoi)
Steam (Yuge)
The Actors Tamazawa Saijiro I as the pageboy Umezaburo and Segawa Kikunojo I as Oroku in the play "Sazareishi Suehiro Genji," performed at the Nakamura Theater in the first month, 1744
Torii Kiyomasu II Japanese, 1706 (?)–1763 (?)
Beauties of the Three Capitals: Shimabara in Kyoto (right), Yoshiwara in Edo (center), and Shinmachi in Osaka (left)
Torii Kiyohiro Japanese, active c. 1737-76 and Torii Kiyomitsu I Japanese, 1735–1785
Susano-o no Mikoto Killing the Eight-headed Dragon
Visiting (Kayoi), from the series "Floating World Versions of the Seven Komachi (Ukiyo Nana Komachi)"
Torii Kiyonaga Japanese, 1752-1815
The Actor Segawa Kikunojo I as Hanjo in the play "Tsumagoi Sumidagawa," performed at the Nakamura Theater in the third month, 1733
The Actors Sanogawa Ichimatsu I as Senjiro disguised as Kichisaburo and Nakamura Tomijuro I as Oshichi in the joruri "Midaregami Yoru no Amigasa," performed at the Nakamura Theater in the first month, 1742
A Lady with Three Servants, from the series "A Brocade of Eastern Manners (Fuzoku Azuma no nishiki)"
Summer: Planting Rice (Natsu: taue no zu), No. 2 from the series "The Four Seasons of Farmers (Shiki no hyakusho)"
The Actor Ichikawa Danjuro II as Soga no Goro and Nakamura Takesaburo I as Kewaizaka no Shosho in the play "Bando Ichi Kotobuki Soga," performed at the Nakamura Theater in the first month, 1715
Attributed to Torii Kiyonobu I Japanese, 1664-1729
The Actors Segawa Kikunojo I as Ochiyo and Matsushima Kichisaburo as Ochiyo's spirit in the play "Higashiyama Gojitsu Yaoya Hanbei," performed at the Nakamura Theater in the eighth month, 1744