Carlo’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Hilly Landscape with Cows and Shepherds in Foreground
Attributed to Carlo Antonio Tavella Italian, 1668-1738

Rural Crossroads, with Farm Buildings in Foreground
Carlo Antonio Tavella Italian, 1668-1738

Landscape with Satyr, Goats and Other Figures
Attributed to Abraham Genoels II (Flemish, 1640-1723) or Domenico Antonio Vaccaro (Italian, 1678-1745) or the style of Carlo Antonio Tavella (Italian, 1668-1738)

Head of Child
Carlo Maratti Italian, 1625-1713

The Crucifixion
Carlo Crivelli (Italian, about 1430–about 1495)

Resting
Antonio Mancini (Italian, 1852–1930)

Horsemen of the Apocalypse
Carlo Carrà Italian, 1881-1966

Virgin of the Immaculate Conception
Antonio Maragliano (Italian, 1664–1741) Workshop of Antonio Maragliano (Italian, 1664–1741)

Cobra Chair
Designed by Carlo Bugatti Italian, 1856-1940 Italy

Bust of Paris
Antonio Canova (Italian, 1757–1822)

Head of Medusa
Antonio Canova (Italian, 1757–1822)

Virgin and Child with the Young Saint John the Baptist
Correggio (Antonio Allegri; Italian, 1489–1534)

Mourners in a Graveyard
Carlo Labruzzi Italian, 1748-1818

Kitchen Still Life
Attributed to Paolo Antonio Barbieri (Italian, 1603–1649)

Prints from the Popol-Vuh
Carlos Mérida Mexican, born Guatemala, 1891-1984

Deposition
Antonio d'Este (Italian, 1754–1837) After Antonio Canova (Italian, 1757–1822)

Battle of the Naked Men
Antonio Pollaiuolo Italian, 1433-1498

Saint Peter Martyr Exorcizing a Woman Possessed by a Devil
Antonio Vivarini (Italian, about 1415–1476/84)

Self-Portrait of the Sculptor Antonio Canova
Workshop of Antonio Canova (Italian, 1757–1822)

Portrait of a Man
Antonio Maria Esquivel (Spanish, 1806–1857)