Lazzaro’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Tobias and Sarah Praying on Their Wedding Night
Lazzaro Tavarone Italian, 1556-1641
Seated Female Figure (Saint Scholastica?) Holding a Dove
Design for Corner of a Ceiling Decoration
Crew Abandoning Ship (recto) Sketches of Corinthian Columns (verso)
Christ Appearing to His Mother
Attributed to Lazzaro Tavarone Italian, 1556-1641
Study for Juno (or Diana) with a Peacock
Luca Cambiaso Italian, 1527-1585 or Lazzaro Tavarone Italian, 1556-1641 or Bernardo Castello Italian,1557-1629
Two Women on Clouds, Pulling a Load
Circle of Bernardo Castello (Italian, Lazzaro Tavarone (Italian, 1556-1641)
Design for a Ceiling Decoration
Zeus and Psyche
Lazzo Tavarone (Italian, 1556-1641) or Andrea Lilio (Italian, 1555-1642)
Woman with Child, and Pheme
Virgin in Glory with Saints including St. John at their Feet
After Lazzaro Tavarone Italian, 1556-1641
Kneeling Female Saint in Profile
Attributed to Lazzaro Tavarone (talian, 1556-1641) or Andrea Lilio (talian, 1555-1642) or Circle of Francesco Vanni (Italian, 1563-1610)
Standing Putto Holding Tablet
Attributed to Lazzaro Tavarone (Italian, 1556-1641) or Style of Domenico Piola (Italian, 1627-1793) or Lodovico Carracci (Italian, 1555-1619)
Seated Figure with Crown, Holding Sceptre and Book, with Host Below
Reclining Female Nude
Study for Saint James Saving an Innocent from the Flames
Shield of Cardinal with Two Trumpeting Putti
Follower of Lazzaro Tavarone Italian, 1556-1641
Queen Intervening to Spare the Life of a Bishop Saint
Lazzaro Tavarone Italian, 1556-1661
Seated Girl
Probably Domenico Fiasella (Italian, 1589-1669) or possibly Lazzaro Tavarone (Italian, 1556-1641) or possibly Lorenzo Lippi (Italian, 1606-1665)
Women Looking at Religious Tablets
after Lazzaro Baldi Italian, c. 1624-1703