Francesco’s work is defined by its 18th century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Adam and Eve in Paradise
Francesco Solimena (Italian, 1657–1747)
Portrait of a Girl
Attributed to Francesco Solimena (Italian, 1657–1747)
Jacopo Butera
Christ Healing the Lame Man
After Francesco Solimena Italian, 1657-1747
Erminia and the Shepherds
School of Francesco Solimena (Italian, 1657-1747) or Giuseppe Nicola Nasini (Italian, 1657-1736)
Seated Allegorical Female Figure
Juno and Aeolus
Possibly after Francesco Solimena Italian, 1657-1747
Massacre of the Innocents
Francesco Solimena, or after (Italian, 1657-1747 or Lodovico Carracci (Italian, 1555-1619)
Conversion of Saint Paul
After Francesco Solimena (Italian, 1657-1747) or circle of Francesco de Mura (Italian, 1696-1782) or Paolo Caliari, called Paolo Veronese (Italian, 1528-1588)
Spandrel Decoration with Seated Allegorical Figures of Hope and Concord
Profile of Male Head, Crowned with Laurel Leaves
Attributed to Francesco Solimena (Italian, 1657-1747) or circle of Lieven Mehus (Flemish, 1630-1691)
Pope Blessing Nun
Holy Family with Saints
Ruler Receiving Lady
Francesco Solimena or after Italian, 1657-1747
Design for a Tomb
School of Francesco Solimena Italian, 1657-1747
Cornelia, Mother of the Gracchi
Follower of Francesco Solimena Italian, 1657-1747
Spandrel Decoration with Seated Allegorical Female Figures of Charity and Obedience
Studio of Francesco Solimena Italian, 1657-1747
Allegory of Peace
Saints Luke and Dominic
Crucifixion with Saint John the Evangelist, the Virgin and Two Maries