Alfred’s work is defined by its impressionism sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

A Turn in the Road
Alfred Sisley (British, active in France, 1839–1899)

The Seine at Port-Marly, Piles of Sand
Alfred Sisley (British, active in France, 1839–1899)

Street in Moret
Alfred Sisley (British, active in France, 1839–1899)

The Loire
Alfred Sisley (British, active in France, 1839–1899)

Watering Place at Marly
Alfred Sisley (British, active in France, 1839–1899)

Alfred Sisley
Pierre-Auguste Renoir (French, 1841–1919)

Landscape along the Seine with the Institut de France and the Pont des Arts
Alfred Sisley (British, active in France, 1839–1899)

A Corner of Moret-sur-Loing
Alfred Sisley French, 1839-1899

Landscape with Trees
Alfred Sisley French, 1839-1899

Georgia O'Keeffe—Torso
Alfred Stieglitz American, 1864–1946

The Hand of Man
Alfred Stieglitz American, 1864–1946

Georgia O'Keeffe
Alfred Stieglitz American, 1864–1946

Georgia O'Keeffe—Hands and Thimble
Alfred Stieglitz American, 1864–1946

Sun Rays—Paula, Berlin
Alfred Stieglitz American, 1864–1946

Rebecca Salsbury Strand
Alfred Stieglitz American, 1864–1946

Hesitation (Madame Monteaux?)
Alfred Stevens (Belgian, 1823–1906)

The Flatiron
Alfred Stieglitz American, 1864–1946

Rebecca Salsbury Strand
Alfred Stieglitz American, 1864–1946

Georgia O'Keeffe
Alfred Stieglitz American, 1864–1946

A Wet Day on the Boulevard, Paris
Alfred Stieglitz American, 1864–1946