Cornelis’s work is defined by its dutch sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
A Witches' Sabbath
Cornelis Saftleven (Dutch, 1607–1681)
A Camel
Cornelis Saftleven Dutch, 1607-1681
Yard of an Old House
Cornelis Saftleven (Dutch, 1607-1681) or Adriaen van Ostade (Dutch, 1610-1685)
Kneeling Monk Holding a Crucifix
Man with a Keg
Men Traveling Through Hills with Mules, Packs and Dog
Circle of Herman Saftleven III (German, 1609-1685) or Claes Piertersz. Bercham (Dutch, 1620-1683) or Cornelis Saftleven (Dutch, 1607-1681)
Head of an Old Woman (so-called portrait of Visscher's mother)
Cornelis Visscher Dutch, c. 1629-1658
A Young Man Caressing the Young Hostess
Cornelis Pietersz Bega Dutch, 1631/32-1664
Self-Portrait
Peter Isbrandi
Coat of Arms of Haarlem, end page to Counts and Countesses of Holland, Zeeland and West-Frisia
Woman Milking a Cow, plate 3 from Four Landscapes
Cornelis Visscher (Dutch, c. 1629-1658) after Nicolaes Berchem (Dutch, 1620-1683)
Spring
Saftleven Herman II Dutch, 1609-1685
The Hurdy-Gurdy Player
Cornelis Visscher (Dutch, c. 1629-1658) after Adriaen van Ostade (Dutch, 1610-1685)
Interior in an Inn, called "The Skaters" (De Schaatsenrijder)
A Forest Interior, with a Seated Figure
Herman Saftleven Dutch, 1609-1685
The Battle of Zama
After Cornelis Cort (Netherlandish, 1533–1578)
The Large Cat
Travellers on Winding Road, from Six Landscapes
Herman Saftleven II Dutch, 1609-1685
A Traveller Riding a Mule, from Six Landscapes