Domenico’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Monk in the Ruins of a Monastery
Domenico Quaglio II German, 1787-1837
Kipfenberg Castle in the Valley of Altmühl
Saint John's Cemetery with a View of the City of Nuremberg, from Collection of Memorable Medieval Buildings in Germany
Ruin of Godesberg with the so-called High Cross of the Rhine
Staircase and Terrace in Formal Garden
Portico
Porch with Gothic Arches
Collegiate Church of Our Lady, with Castle Schoenberg at Oberwesel on the Rhine
Kiderich Church in Rheingau
Church at Kobern on the Mosel
Former Cathedral Churchyard near the Old Rectory and Minster in Regensberg
Church of the Pilgrimage in the Tirol
Münster zu Basel
Parish Church at Boppard on the Rhine
Ruin of the Church of Our Lady with the Tombstones of Genevieve and the Count Palatine Siegfried in the Mosel Valley near Andernach, from Collection of Memorable Medieval Buildings in Germany
Baptismal Hall and Cloisters in the Cathedral at Mainz, from Collection of Memorable Medieval Buildings in Germany
Great Tree
Chapel of Saint Margaret in the City of Nuremberg, from Collection of Memorable Medieval Buildings in Germany
Venus and Mars with Cupid and the Three Graces in a Landscape
Domenico Tintoretto (Italian, 1560–1635)
The Assumption of the Virgin
El Greco (Doménikos Theotokópoulos; Greek, active in Spain, 1541–1614)