Pierre’s work is defined by its nineteenth century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Innocence Prefers Love to Riches
Pierre Paul Prud'hon (French, 1758–1823)

Head of Vengeance
Pierre-Paul Prud'hon French, 1758-1823

Head of a Woman
Pierre-Paul Prud'hon French, 1758-1823

Reading
Pierre-Paul Prud'hon French, 1758-1823

Phrosine and Mélidore
Pierre-Paul Prud'hon (French, 1758-1823) finished with engraving by Barthélemy Roger (French, 1767-1841)

Seated Female Nude
Pierre-Paul Prud'hon French, 1758-1823

The Triumph of Bonaparte
Pierre-Paul Prud'hon French, 1758-1823

An Unhappy Family
Pierre-Paul Prud'hon (French, 1758-1823) after Constance Mayer (French, 1774-1821) after Pierre-Paul Prud'hon (French, 1758-1823) printed by Gottfried Engelmann (French, 1788-1839)

Boy with a Dog
Pierre-Paul Prud'hon French, 1758-1823

The Abduction of Europa
Pierre-Paul Prud'hon French, 1758-1823

Rape of Europa
Pierre-Paul Prud'hon French, 1758-1823

Child with Dog
Pierre-Paul Prud'hon French, 1758-1823

Une Lecture
Pierre-Paul Prud'hon French, 1758-1823

Une Lecture
Pierre-Paul Prud'hon French, 1758-1823

L'Historie de Psyche (The Story of Psyche) (Furnishing Fabric)
Designed by Jean Baptiste Huet (French, 1745–1811) after Pierre-Paul Prud'hon (French, 1758–1823) and others Manufactured by Christophe-Philippe Oberkampf (naturalized French, 1738-1815), Oberkampf Manufactory (French, 1760-1843) Jouy-en-Josas, France

“Paul and Virginie” Furnishing Fabric
Designed by Cornelis (French, active c. 1820) after Jean Michel Moreau, the Younger (French, 1741-1814) and others Manufactured by Hartmann et Fils (French, founded 1776) Based on the story by Bernardin de Saint-Pierre (French, 1737-1814) France, possibly Münster

Les Chats
Original prints by Édouard Manet (French, 1832–1883), Marie Champfleury (French, 19th century) after Burbanck (British, 19th century), Louis Eugène Lambert (French, 1825–1900), Armand Désiré Gautier (French, 1825–1894), and Victor Eugène Géruzez (Crafty) (French, 1840–1906) illustrations by Charles Kreutzberger (French, 1829–1909), M. Mérimée (French, 19th century), Lorédan Larchey (French, 1831–1902), Prisse d'Avennes (French, 1807–1879), and Edmond Morin (French, 1824–1882) some works etched by M. Comte (French, 19th century) and Firmin Gillot (French, 1820–1872) after works by Eugène Delacroix (French, 1798–1863), Gottfried Mind (Swiss, 1768–1814), Utagawa Hiroshige (erroneously attributed to Hokusai) (Japanese, 1797–1858), Pierre-Paul Prud'hon (French, 1758–1823), Théodule Augustin Ribot (French, 1823–1891), Cornelis Visscher (Dutch, c. 1629–1658), Jean Morin (French, 1600–1650), Jean Ignace Isadore Grandville (J.J. Grandville) (French, 1803–1847), Ferdinand van Kessel (Dutch, 1648–1696) (erroneously attributed to Bruegel) and Viollet-Le-Duc (French, 1814–1879) written by Champfleury (Jules-François-Félix Husson-Fleury) (French, 1821–1889) published by J. Rothschild (French, 19th century) and Libraire de la Société Botanique de France (French, 19th century) typography by Gustave Silbermann (French, 1801–1876) printed by Cardart et Luce (French, 19th century)

Pierre de Montarsis
Gérard Edelinck (French, born Flanders, 1640-1707) after Antoine Coypel (French, 1661-1722)

Portrait of Jacques Nicolas Colbert, Archbishop of Rouen
Pierre Drevet (French, 1663-1738) after Hyacinthe Rigaud (French, 1659-1743)

Pierre Dupuis, Painter to the King
Antoine Masson (French, 1636-1700) after Nicolas Mignard (French, 1606-1668)