Nicolas’s work is defined by its renaissance sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Landscape with Saint John on Patmos
Nicolas Poussin (French, 1594–1665)
Birth of Alexander
Nicolas Poussin French 1594-1665
River Estuary
Nicolas Pussin (French, 1594-1665) after Pietro da Cortona (Italian, 1596-1669)
Drunken Silenus Satyr and Nymphs
Possibly Nicolas Poussin French, 1594-1665
Italianate Landscape with Buildings
Follower of Nicolas Poussin (French, 1594-1665) possibly Étienne Allegrain (French, 1644–1736)
Man Kneeling With Jug (recto); Standing Man (verso)
Plague of Ashdod
Unknown Artist after Nicolas Poussin (French, 1594-1665)
Italianate Landscape with Castle, Trees and Water in Foreground
School of Nicolas Poussin French, 1594-1665
Diana and Callisto
Possibly School of Nicolas Poussin French, 1594-1665
Adoration of the Shepherds
After Nicolas Poussin French, 1594-1665
Figures, Chariot and Dog
Possibly after Nicolas Poussin French, 1594-1665
Man Praying in Wilderness
Nicolas Poussin French, 1594-1665
Sketches of Inscribed Bases of Roman Columns
Noah's Sacrifice
The Incredulity of Saint Thomas (recto); Sketches of Figures (verso)
Style of Nicolas Poussin French, 1594-1665
Standing Warrior
Style of Nicolas Poussin (French, 1594-1665) or Stefano della Bella (Italian, 1610-1664)
Studies after Andrea Mantegna, Giulio Romano, and the Antique
Nicolas Poussin French, 1594–1665
The Annunciation
Gérard Edelinck (French, born Flanders, 1640-1707) after Nicolas Poussin (French, 1594-1665) published by Nicolas Pitau (French, born Flanders, 1632-1671)