Nicolas’s work is defined by its renaissance sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Landscape with Saint John on Patmos
Nicolas Poussin (French, 1594–1665)

Birth of Alexander
Nicolas Poussin French 1594-1665

River Estuary
Nicolas Pussin (French, 1594-1665) after Pietro da Cortona (Italian, 1596-1669)

Drunken Silenus Satyr and Nymphs
Possibly Nicolas Poussin French, 1594-1665

Italianate Landscape with Buildings
Follower of Nicolas Poussin (French, 1594-1665) possibly Étienne Allegrain (French, 1644–1736)

Man Kneeling With Jug (recto); Standing Man (verso)
Possibly Nicolas Poussin French, 1594-1665

Plague of Ashdod
Unknown Artist after Nicolas Poussin (French, 1594-1665)

Italianate Landscape with Castle, Trees and Water in Foreground
School of Nicolas Poussin French, 1594-1665

Diana and Callisto
Possibly School of Nicolas Poussin French, 1594-1665

Man Praying in Wilderness
Nicolas Poussin French, 1594-1665

Sketches of Inscribed Bases of Roman Columns
Nicolas Poussin French, 1594-1665

Adoration of the Shepherds
Possibly after Nicolas Poussin French, 1594-1665

Adoration of the Shepherds
After Nicolas Poussin French, 1594-1665

Noah's Sacrifice
After Nicolas Poussin French, 1594-1665

Figures, Chariot and Dog
After Nicolas Poussin French, 1594-1665

Standing Warrior
Style of Nicolas Poussin (French, 1594-1665) or Stefano della Bella (Italian, 1610-1664)

The Incredulity of Saint Thomas (recto); Sketches of Figures (verso)
Style of Nicolas Poussin French, 1594-1665

Studies after Andrea Mantegna, Giulio Romano, and the Antique
Nicolas Poussin French, 1594–1665

The Annunciation
Gérard Edelinck (French, born Flanders, 1640-1707) after Nicolas Poussin (French, 1594-1665) published by Nicolas Pitau (French, born Flanders, 1632-1671)