Evert’s work is defined by its nineteenth century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

A Family Meal
Evert Pieters (Dutch, 1856–1932)

Interior, Dutch Girl Peeling an Apple
Evert Pieters Dutch, 1856-1932

Woman with Two Children Waling Along Beach
Evert Pieters Dutch, 1856-1932

Portrait of a Sixty-year-old Woman, from Recueil d'estampes d'après les plus célèbres tableaux de la Galerie Royale de Dresde
Pieter Tanjé (Dutch, 1706-1761) after Peter Paul Rubens (Flemish, 1577-1640)

Lame Beggar Asking for Alms, from T is al verwart-gaern (It's already confusing)
Pieter Jansz Quast Dutch, 1606-1647

Still Life
Pieter Claesz (Dutch, 1596/97–1660)

Two Faces of Fear
Connor Everts (American, born 1926) printed by Joe Funk (American, 1917-1981) published by Tamarind Lithography Workshop (American, founded 1960)

An Elegant Company
Pieter Codde (Dutch, 1599-1678)

Portrait of a Young Girl
Attributed to Pieter Dubordieu (Dutch, c. 1609–after 1678)

Dead Birds and Shot Bags
Attributed to Pieter Boel (Flemish, 1622-1674)

At the Justice of the Peace
Pieter Verhaert (Belgian, 1852–1908)

Mordechai Overhears the Conspiracy from the Story of Esther
Circle of Pieter Cornelisz (1498/90 - 1560/61) or Lucas van Leyden (1489-1533) Northern Netherlandish

The Three Graces
Pieter Tanjé (Dutch, 1706-1761) after Agostino Carracci (Italian, 1557-1602)

Tobias and the Angel
Pieter Mulier, II (Dutch, 1637–1701)

Still Life with Ostrich Egg Cup and the Whitfield Heirlooms
Pieter Gerritsz. van Roestraeten (Dutch, 1630–1700)

Contextual Shifts
Connor Everts American, born 1926

Outside of Haarlem
Jan Pieter Waterloo Dutch, 1790-1861

The Resurrection
Philip Galle (Flemish, 1537–1612) after Pieter Bruegel, the Elder (Flemish, 1525/30-1569)

Sophonisba Receiving the Poisoned Cup
Pieter Pietersz Lasman Dutch, 1583-1633

Juda and Thamar
Pieter Lastman Dutch, 1583-1633