Bartolomeo’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Two Sketches: Kneeling Putto Holding a Head (recto) Details of a Nude Male Child (verso)
Bartolomeo Passarotti Italian, 1529-1592
Ideal Bust of a Woman
Attributed to Bartolomeo Passarotti Italian, 1529-1592
Saints Jerome and Francis of Assisi Adoring the Trinity
Old Matron and Young Woman
Standing Putto Seen from the Front: Study for the Virgin in Glory with Saints Petronius, Dominic, and Peter Martyr
Half-Length Sketch of a Gentleman Wearing Hat and Cape
Cumean Sibyl
Style of Bartolomeo Passarotti Italian, 1529-1592
Saint Jerome
After Bartolommeo Passarotti Italian, 1529-1592
Standing Putto Seen From the Back
Rest on the Flight into Egypt
Bartolomeo Biscaino Italian, before 1629-1657
Cupid Chastised
Bartolomeo Manfredi (Italian, 1582–1622)
Scenes from the Life of Saint John the Baptist
Bartolomeo di Giovanni (Italian, active c. 1465-1501)
Saint Benedict Presenting his Rule to Benedictine and Cistercian Monks in a Historiated Initial "O" from a Choirbook
Italian (Siena) Martino di Bartolomeo (Italian, 1389-1434/5) 1394/95
Study
Attributed to Giuseppe Bartolomeo Chiari (Italian, 1654-1727) or possibly Giacinto Calandrucci (Italian, 1646-1707) or possibly Pietro da Cortona (Italian, 1596-1669)
Hercules and Hesione
Attributed to Bartolomeo Salvestrini (Italian, died 1630)
Allegorical Figure
Attributed to Bartolomeo Ammanati (Italian, 1511–1592)
Seated Youth Wearing a Monk's Habit: Study for Saint Benedict
Bartolomeo Cesi Italian, 1556-1629
Telemachus and Mentor in a Galley after Fleeing the Island of Calypso, from The Adventures of Telemachus, Book 8
Bartolomeo Pinelli Italian, 1781-1835
Telemachus Relates His Adventures to the Goddess Calypso, from The Adventures of Telemachus, Book 1
Telemachus, Believing that His Father, Ulysses, Is Dead, Searches for Him in the Underworld, from The Adventures of Telemachus, Book 18